: Fritz Leiber
: The Green Millennium
: OTB eBook publishing
: 9783987446207
: Classics To Go
: 1
: CHF 1.60
:
: Belletristik
: English
: 154
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB
Green Millennium is about a man, Phil, (and Arthur Dent type but without all the charm, i.e. audience surrogate almost no personality) who has a brief encounter with a magical green cat. Lucky (the cat) makes everyone around him feel connected and loved. In this world of conservative politics (I was going to type hyper-conservative politics, but then I realized that the religious-right fictional president and his Bureau of Loyalty isn't that far off from what our current Republican candidate for president would like) contrasted against hyper-sexualized consumerism there are a lot of interesting characters and circumstances, so the story is mostly Phil being pulled through the story on a quest to reclaim the feeling of wellbeing and confidence that he had while around Lucky. (Goodreads)

II


The street snarled at Phil. The snarl came chiefly from a charged-up electric hot rod that swerved close to the curb to remove a triangular chunk from the rump of a fat man who had been too slow in skittering to safety. A second look showed he was not a fat man, but a thin man in a balloon suit. It deflated rapidly, and he sat down in its limp folds on the curb and began to sob. Balloon suits were of no real protection to pedestrians, except by increasing the apparent target, but they continued as a fad. During the last war they had been pumped full of hydrogen as a shield against neutrons until a couple of small but unpleasant explosions in crowded shelters had caused the government to crack down.

After snarling, the street continued to growl deep in its throat—it had two lower levels. The growl was composed of the hum of electrics, the subterranean rumble of heavier traffic, the yak-yak of competing vocal advertisements, and the nervous shuffle of feet that was the same when Rome and Babylon were young, but that was intensified here because most of the women's feet were on platforms three to ten inches high.

Neither the growl nor the snarl disturbed Phil. Normally he'd already have had his ear plugs tucked in, his face fixed straight ahead, his eyes nervously questing for hot rods, which were known to jump curbs. But today he simply wanted to drink it all in, to see the things he'd always been blind to, to note the anxious but apathetic expressions on the faces of the pedestrians, to sense the invisible lines of force that, like spider webs or marionette strings, joined them to the space-overflowing advertisements, which ranged from the crisp,"Learn to Break Necks!" and the cute"A Strip-Tease Doll All Your Own!" to the"Why Not Lobotomy?" and the imagination-tantalizing"Glamorize Your Figure with a Sprayed-on Evening Dress! Plasticfabric cures in a jiffy, breathes. No heat, no adhesions! Special forms flare the skirt, shape the bosom! Designed by artists right on your body!"

Lucky seemed no more frightened of the street than Phil. He scampered along close to the base of Skyway Towers' monumental façade, the camouflaging green color of which may have explained why none of the pedestrians took note of him—not that any explanation was needed as to why those walking nerve-bags didn't see things right under their noses!

A gleaming sales-robot veered toward Phil on its silent wheels, but Phil deftly interposed another balloon-suited man between himself and it. The balloon-suited man began to get a slick reducing pill sales talk; evidently the robot had scanned his profile. Phil hurried around the corner after Lucky, who had turned down garish Opperly Avenue.

As if he had picked up a scent, Lucky abruptly left the wall, glided across the sidewalk and padded across Opperly Avenue between the passing cars. Phil followed, not without a certain heart pounding, but with no real anxieties. Something allowed him to sense easily the intentions of all the cars in the block—dodging them was almost fun.

He reached the opposite curb a good five feet ahead of a playful youth in a jalopy with a tin