: Una Mannion
: Tell Me What I Am 'Beautiful, haunting.' LOUISE KENNEDY
: Faber& Faber
: 9780571358809
: 1
: CHF 11.50
:
: Erzählende Literatur
: English
: 320
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
'Beautiful, haunting.' LOUISE KENNEDY'Vividly real.' MARIAN KEYES'A sure-footed and emotionally complex novel . . . absorbing.' IRISH TIMES Please don't hang up. I don't know if you remember. You used to live with me. You and your mother. Ruby lives with her father in an old farmhouse at the end of a dirt road. He teaches her to hunt, to forage for mushrooms, to gut a fish. She learns to tiptoe around his temper - and never to ask about her absent mother. Ruby has no idea that, hundreds of miles away, a woman she barely remembers is desperate to answer those same questions. Over fourteen years, four hundred miles apart, these two women slowly begin to unearth the secrets and lies at the heart of their family, and the history of power and control that has shaped them both in such different ways. Captivating, tender and deeply moving, Tell Me What I Am is an unforgettable portrait of the indelible bonds of family - and how far we will go for the ones we love. WHAT READERS ARE SAYING:'A brilliantly told story, engrossing, with love, pain, heartbreak and darkness. The characterisation was excellent and the plot was moving and gently woven.' 5* reader review'A book to savour and appreciate as well as enjoy.' 5* reader review'This is a beautifully written novel with powerfully drawn characters.' 5* reader review'Had me hooked... Loved it.' 5* reader review **Una Mannion's first novel, A Crooked Tree, is available now**

Una Mannion was born in Philadelphia and lives in County Sligo Ireland. She has won numerous prizes for her poetry and short stories. Her work has been published in the Irish Times, Winter Papers and anthologised in story collections. Her debut novel was shortlisted for the An Post Irish Book Awards, the Dalkey Literary Awards, and won the 2022 Kate O'Brien Award.

2

Nessa


8 February 2004, Philadelphia

Nessa heard her sister moving through the house, the creak of floorboards overhead, toilet flush, sink running, the front door clicking shut. Beside her Ronan slept, his lips parted, a soft snore on the breath in. Later she told the detectives she heard the car start on the street. The last sound that connected Deena to the world. Something could have happened right there outside as Nessa rolled back toward Ronan’s warm body, burrowed deeper under the comforter and slept.

Maybe an hour after she heard the car, Nessa walked down toward the museum for the papers. She hadn’t worn a scarf or hat and the wind blowing from the river was sharp, stinging her face. Afterward, every detail of that morning became crystallized, refined through repetitions into a series of stills. The naked trees. Her breath making small quick clouds in the air. The patch of ice at the corner of Aspen. The empty sidewalk. The blank grey of it all, everything bare, giving away nothing.

Back at the house she woke him. They drank coffee and read the papers. She repeated something Howard Dean had said about the war in Iraq. Ronan agreed.The Da Vinci Code was still number 1 on the bestseller list. Ronan handed her an article from theNew York Times and tapped the headline. It was about the death of Kitty Genovese in Queens. Next month marked the fortieth anniversary. Nessa vaguely remembered the story from a college class. The bystander effect. Thirty-eight people had heard the woman being attacked and no one had done anything.

She watched Ronan dress and pack his bag. One of his socks was black, the other navy blue, his hair sleep-matted at the back. She wished he wasn’t leaving. She listened to the sound of running water in the bathr