: Anne Bradstreet
: Delphi Classics
: Delphi Complete Poetical Works of Anne Bradstreet Illustrated
: Delphi Publishing Ltd
: 9781801703260
: 1
: CHF 1.50
:
: Lyrik
: English
: 1584
: DRM
: PC/MAC/eReader/Tablet
: ePUB

The mid-seventeenth century poet Anne Bradstreet holds the historic distinction of being the first published writer of the American colonies. Her poetry collection 'The Tenth Muse' defied the odds of the era, proving that the New World could produce sophisticated and publishable literary art. She helped pioneer a distinctly American voice in her verses, drawing inspiration from her immediate, everyday reality. Her achievement paved the way for future literary trailblazers, including Emily Dickinson, who could focus their poetry on personal, emotional and female perspectives for the first time. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. For the first time in digital publishing, this volume presents Anne Bradstreet's complete works, with related illustrations and the usual Delphi bonus material. (Version 1)



* Beautifully illustrated with images relating to Bradstreet's life and works
* Concise introduction to Bradstreet's life and poetry
* Images of how the poetry books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the poems
* Easily locate the poems you want to read
* Includes Bradstreet's 'The Andover Manuscript Book', the poet's autobiographical account - first time in digital print
* Features two biographies, including Helen Campbell's seminal study



CONTENTS:



The Life and Poetry of Anne Bradstreet
Brief Introduction: Anne Bradstreet
Complete Works of Anne Bradstreet



The Andover Manuscript Book
Manuscript Writings



The Biographies
Anne Bradstreet and Her Time (1890) by Helen Campbell
Anne Bradstreet (1900) by Jennett Humphreys

Of the four Humours in Mans Constitution.


THE former four now ending their discourse,
Ceasing to vaunt their good, or threat their force,
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew’d their high descent,
Each eldest daughter to each Element.
Choler was own’d by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But ‘mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim’d right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir’d,
Pleading her self was most of all desir’d.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav’d to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.

Choler.

To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th’high’st degree:
Be he a souldier, I more fence his heart
Then iron Corslet ‘gainst a sword or dart.
What makes him face his foe without appal,
To storm a breach, or scale a city wall,
In dangers to account himself more sure
Then timerous Hares whom Castles do immure?
Have you not heard of worthyes, Demi-Gods?
Twixt them and others what is’t makes the odds
But valour? whence comes that? from none of you,
Nay milksops at such brunts you look but blew.
Here’s sister ruddy, worth the other two,
Who much will talk, but little dares she do,
Unless to Court and claw, to dice and drink,
And there she will out-bid us all, I think,
She loves a fiddle better then a drum,
A Chamber well, in field she dares not come,
She’l ride a horse as bravely as the best,
And break a staff, provided ‘be in jest;
But shuns to look on wounds,& b