: Michael Frayn
: Spies With IGCSE and A Level study guide
: Faber& Faber
: 9780571335824
: Faber Educational Editions
: 1
: CHF 8.50
:
: Krimis, Thriller, Spionage
: English
: 368
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Designed to meet the requirements for students at IGCSE and A level, this accessible educational edition offers the complete text of Spies with a comprehensive study guide. Highlights of Andrew Bruff's guide include: - detailed analyses of character, setting and theme;- close examination of the novel's plot, structure and narrative techniques;- key quotations and activities both for the student working alone and in the classroom. In the quiet cul-de-sac where Keith and Stephen live the only immediate signs of the Second World War are the blackout at night and a single random bomb site. But the two boys start to suspect all is not as it seems when one day Keith announces a disconcerting discovery: the Germans have infiltrated his own family. And when the secret underground world they have dreamed up emerges from the shadows they find themselves engulfed in mysteries far deeper and more painful than they had bargained for.

Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. His novels include Towards the End of the Morning, Headlong, Spies and Skios. His seventeen plays range from Noises Off, recently chosen as one of the nation's three favourite plays, to Copenhagen, which won the 1998 Evening Standard Award for Best Play of the Year and the 2000 Tony Award for Best Play. He is married to the writer Claire Tomalin.

Everything is as it was, I discover when I reach mydestination, and everything has changed.

Nearly half a century has passed since I last stepped out of a train at this little wooden station, but my feet carry me with a kind of effortless, dreamlike inevitability down the sloping station approach to the quietly busy mid-afternoon main road, left towards the muddled little parade of shops, and left again by the letter box into the long, straight,familiar avenue. The main road’s full of fussy new traffic arrangements, the shops have impersonal new commercial names and frontages, and the stringy prunus saplings I remember along the verges of the avenue are now wise and dignified trees. But when I turn the corner once again, off the avenue into the Close …

There it is, as it always was. The same old quiet, sweet, dull ordinariness.

I stand on the corner, looking at it, listening to it,breathing it in, not sure whether I’m moved to be here again after all this time, or whether I’m quite indifferent.

I walk slowly up to the little turning circle at the end. The same fourteen houses sit calmly complacent in the warm, dull summer afternoon, exactly as they always did. I walk slowly back to the corner again. It’s all still here, exactly as it always was. I don’t know why I should find this so surprising. I wasn’t expecting anything different. And yet, after fifty years …

As the first shock of familiarity subsides, though, I begin to see that everything’s not really as it was at all. It’s changed completely. The houses have become tidy and tedious, their disparate architectural styles somehow homogenised by new porches and lamps and add-on timbering. I remember each of them as being a world unto itself, as different from all the others as the people who occupied them. Each of them, behind its screen of roses or honeysuckle, of limes or buddleia, was a mystery. Now almost all that luxuriant growth has vanished, and been replaced by hard standing and cars. More cars queue silently along the kerb. The fourteen separate kingdoms have coalesced into a kind of landscaped municipal car park. The mysteries have all been solved. There’s a polite, international scent of fast-growing evergreens in the air. But of that wild, indecent smell that lured me here – even on this late June day not a trace remains.

I look up at the sky, the one feature of every landscape and townscape that endures from generation to generation and century to century. Even the sky has changed. Once the war was written across it in a tangled scribble of heroic vapour trails. There were the upraised fingers of the searchlights at night, and the immense coloured palaces of falling flares. Now even the sky has become mild and bland.

I hesitate on the corner again. I’m beginning to feel rather foolish. Have I come all this way just to walk up the road and back, and smell the cypress hedges? I can’t think what else to do, though, or what else to feel. I’ve come to the end of my plans.

And then I bec