: Kate Chopin
: THE AWAKENING (Feminist Classics Series) One Women's Story from the Turn-Of-The-Century American South
: Musaicum Books
: 9788075832375
: 1
: CHF 0.50
:
: Anthologien
: English
: 164
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Kate Chopin's 'The Awakening' is a groundbreaking feminist novel set in the late 19th century that explores the theme of women's independence and self-fulfillment. The novel follows the protagonist, Edna Pontellier, as she embarks on a journey of self-discovery and challenges societal norms of the time. Chopin's lyrical writing style and vivid imagery bring to life the struggles and desires of a woman trapped in a stifling marriage, making 'The Awakening' a powerful and thought-provoking read. The novel was considered scandalous when first published in 1899 due to its radical portrayal of female sexuality and independence, but it has since become a classic in feminist literature. Kate Chopin's own experiences as a woman in a patriarchal society undoubtedly influenced her writing, as she explores themes of freedom and identity with nuance and sensitivity. 'The Awakening' is a must-read for anyone interested in feminist literature and the evolution of women's rights, offering timeless insights into the complexities of female autonomy and empowerment.

IX


Every light in the hall was ablaze; every lamp turned as high as it could be without smoking the chimney or threatening explosion. The lamps were fixed at intervals against the wall, encircling the whole room. Some one had gathered orange and lemon branches, and with these fashioned graceful festoons between. The dark green of the branches stood out and glistened against the white muslin curtains which draped the windows, and which puffed, floated, and flapped at the capricious will of a stiff breeze that swept up from the Gulf.

It was Saturday night a few weeks after the intimate conversation held between Robert and Madame Ratignolle on their way from the beach. An unusual number of husbands, fathers, and friends had come down to stay over Sunday; and they were being suitably entertained by their families, with the material help of Madame Lebrun. The dining tables had all been removed to one end of the hall, and the chairs ranged about in rows and in clusters. Each little family group had had its say and exchanged its domestic gossip earlier in the evening. There was now an apparent disposition to relax; to widen the circle of confidences and give a more general tone to the conversation.

Many of the children had been permitted to sit up beyond their usual bedtime. A small band of them were lying on their stomachs on the floor looking at the colored sheets of the comic papers which Mr. Pontellier had brought down. The little Pontellier boys were permitting them to do so, and making their authority felt.

Music, dancing, and a recitation or two were the entertainments furnished, or rather, offered. But there was nothing systematic about the programme, no appearance of prearrangement nor even premeditation.

At an early hour in the evening the Farival twins were prevailed upon to play the piano. They were girls of fourteen, always clad in the Virgin’s colors, blue and white, having been dedicated to the Blessed Virgin at their baptism. They played a duet from “Zampa,” and at the earnest solicitation of every one present followed it with the overture to “The Poet and the Peasant.”

“Allez vous-en! Sapristi!” shrieked the parrot outside the door. He was the only being present who possessed sufficient candor to admit that he was not listening to these gracious performances for the first time that summer. Old Monsieur Farival, grandfather of the twins, grew indignant over the interruption, and insisted upon having the bird removed and consigned to regions of darkness. Victor Lebrun objected; and his decrees were as immutable as those of Fate. The parrot fortunately offered no further interruption to the entertainment, the whole venom of his nature apparently having been cherished up and hurled against the twins in that one impetuous outburst.

Later a young brother and sister gave recitations, which every one present had heard many times at winter evening entertainments in the city.

A little girl performed a skirt dance in the center of the floor. The mother played her accompaniments and at the same time watched her daughter with greedy admiration and nervous apprehension. She need have had no apprehension. The child was mistress of the situation. She had been properly dressed for the occasion in black tulle and black silk tights. Her little neck and arms were bare, and her hair, artificia