: Lucy Maud Montgomery
: The Story Girl& Its Sequel, The Golden Road (Children's Classics)
: Musaicum Books
: 9788027231188
: 1
: CHF 0.50
:
: Kinderbücher bis 11 Jahre
: English
: 405
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Lucy Maud Montgomery's 'The Story Girl' and its sequel, 'The Golden Road,' are timeless classics in children's literature that showcase the author's whimsical storytelling and vivid character development. Set in Prince Edward Island, Canada, the books follow a group of young siblings and their cousin Sara Stanley, the charismatic storyteller known as the Story Girl. Montgomery's intricate prose and descriptive narrative transport readers to a bygone era, filled with charming adventures and heartfelt friendships. These beloved novels navigate themes of childhood innocence, imagination, and the bittersweet passage of time. Lucy Maud Montgomery's personal experiences growing up on the island certainly influenced the authenticity of the setting and characters in these books. As an author known for capturing the essence of youth and nature, Montgomery's work continues to captivate readers of all ages. I highly recommend 'The Story Girl' and 'The Golden Road' to anyone looking for a delightful escape into a world of enchanting storytelling and nostalgic charm.

“It is nothing of the sort,” said Mr. Marwood indignantly. “There is no such thing as a picture of God, Felix. No human being knows what he looks like — no human being CAN know. We should not even try to think what He looks like. But, Felix, you may be sure that God is infinitely more beautiful and loving and tender and kind than anything we can imagine of Him. Never believe anything else, my boy. As for this — this SACRILEGE — take it and burn it.”

We did not know what a sacrilege meant, but we knew that Mr. Marwood had declared that the picture was not like God. That was enough for us. We felt as if a terrible weight had been lifted from our minds.

“I could hardly believe the Story Girl, but of course the minister KNOWS,” said Dan happily.

“We’ve lost fifty cents because of it,” said Felicity gloomily.

We had lost something of infinitely more value than fifty cents, although we did not realize it just then. The minister’s words had removed from our minds the bitter belief that God was like that picture; but on something deeper and more enduring than mind an impression had been made that was never to be removed. The mischief was done. From that day to this the thought or the mention of God brings up before us involuntarily the vision of a stern, angry, old man. Such was the price we were to pay for the indulgence of a curiosity which each of us, deep in our hearts, had, like Sara Ray, felt ought not to be gratified.

“Mr. Marwood told me to burn it,” said Felix.

“It doesn’t seem reverent to do that,” said Cecily. “Even if it isn’t God’s picture, it has His name on it.”

“Bury it,” said the Story Girl.

We did bury it after tea, in the depths of the spruce grove; and then we went into the orchard. It was so nice to have the Story Girl back again. She had wreathed her hair with Canterbury Bells, and looked like the incarnation of rhyme and story and dream.

“Canterbury Bells is a lovely name for a flower, isn’t it?” she said. “It makes you think of cathedrals and chimes, doesn’t it? Let’s go over to Uncle Stephen’s Walk, and sit on the branches of the big tree. It’s too wet on the grass, and I know a story — a TRUE story, about an old lady I saw in town at Aunt Louisa’s. Such a dear old lady, with lovely