: Marcel Proust
: The Sweet Cheat Gone Love, Loss& Obsession - Psychological Masterpiece (In Search of Lost Time Series)
: Musaicum Books
: 9788027221684
: 1
: CHF 0.50
:
: Hauptwerk vor 1945
: English
: 242
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Marcel Proust's 'The Sweet Cheat Gone' is a poignant and introspective novel that delves into the complexities of human relationships and the passage of time. Written in Proust's signature stream-of-consciousness style, the book navigates themes of memory, love, and loss with lyrical prose and intricate detail. Set against the backdrop of turn-of-the-century France, the novel captures the essence of a bygone era while exploring universal truths about the nature of existence. Proust's keen observations and psychological depth make 'The Sweet Cheat Gone' a timeless masterpiece of modern literature. Marcel Proust, known for his magnum opus 'In Search of Lost Time,' drew upon his own experiences and social circles to create richly textured narratives that continue to captivate readers today. His meticulous attention to detail and psychological insight set him apart as one of the most influential writers of the 20th century. Proust's personal struggles with love, identity, and memory inform the emotional depth of 'The Sweet Cheat Gone,' adding layers of complexity to the narrative. I highly recommend 'The Sweet Cheat Gone' to readers interested in exploring the intricacies of human emotion and relationships through the lens of a masterful writer. Proust's evocative prose and profound observations offer a compelling journey into the depths of the human experience.

Chapter II.
Mademoiselle de Forcheville


It was not that I was not still in love with Albertine, but no longer in the same fashion as in the final phase. No, it was in the fashion of the earliest times, when everything that had any connexion with' her, places or people, made me feel a curiosity in which there was more charm than suffering. And indeed I was quite well aware now that before I forgot her altogether, before I reached the initial stage of indifference, I should have, like a traveller who returns by the same route to his starting-point, to traverse in the return direction all the sentiments through which I had passed before arriving at my great love. But these fragments, these moments of the past are not immobile, they have retained the terrible force, the happy ignorance of the hope that was then yearning towards a time which has now become the past, but which a hallucination makes us for a moment mistake retrospectively for the future. I read a letter from Albertine, in which she had said that she was coming to see me that evening, and I felt for an instant the joy of expectation. In these return journeys along the same line from a place to which we shall never return, when we recall the names, the appearance of all the places which we have passed on the outward journey, it happens that, while our train is halting at one of the stations, we feel for an instant the illusion that we are setting off again, but in the direction of the place from which we have come, as on the former journey. Soon the illusion vanishes, but for an instant we felt ourselves carried away once again: such is the cruelty of memory.

At times the reading of a novel that was at all sad carried me sharply back, for certain novels are like great but temporary bereavements, they abolish our habits, bring us in contact once more with the reality of life, but for a few hours only, like a nightmare, since the force of habit, the oblivion that it creates, the gaiety that it restores to us because our brain is powerless to fight against it and to recreate the truth, prevails to an infinite extent over the almost hypnotic suggestion of a good book which, like all suggestions, has but a transient effect.

And yet, if we cannot, before returning to the state of indifference from which we started, dispense ourselves from covering in the reverse direction the distances which we had traversed in order to arrive at love, the trajectory, the line that we follow, are not of necessity the same. They have this in common, that they are not direct, because oblivion is no more capable than love of progressing along a straight line. But they do not of necessity take the same paths. And on the path which I was taking on my return journey, there were in the course of a confused passage three halting-points which I remember, because of the light that shone round about me, when I was already nearing my goal, stages which I recall especially, doubtless because I perceived in them things which had no place in my love for Albertine, or at most were attached to it only to the extent to which what existed already in our heart before a great passion associates itself with it, whether by feeding it, or by fighting it, or by offering to our analytical mind, a contrast with it.

The first of these halting-points began with the coming of winter, on a fine Sunday, which was also All Saints' Day, when I had ventured out of doors. As I came towards the Bois, I recalled with sorrow how Albertine had come back to join me from the Trocadéro, for it was the same day, only without Albertine. With sorrow and yet not without pleasure all the same, for the repetition in a minor key, in a despairing tone, of the same motif that had filled my day in the past, the absence even of Françoise's telephone message, of that arrival of Albertine which was not something negative, but the suppression in reality of what I had recalled, of what had given the day a sorrowful aspect, made of it something more beautiful than a simple, unbr