: Seth Insua
: Human, Animal A BBC Radio 2 Book Club Pick
: Verve Books
: 9780857308900
: 1
: CHF 7.50
:
: Erzählende Literatur
: English
: 320
: DRM
: PC/MAC/eReader/Tablet
: ePUB

** SHORTLISTED FOR THE DISCOVER AWARD AT THE BRITISH BOOK AWARDS 2026 **


** SHORTLISTED FOR THE NEW ADULT BOOK PRIZE 2025 **


** 'BEAUTIFULLY, SKILFULLY TOLD WITH REAL TENSION AND GORGEOUS CHARACTERS,HUMAN, ANIMAL MOVED ME TO TEARS... REMARKABLE' - RUSSELL T DAVIES **


A deeply moving debut about one family's struggle to find connection in a rapidly changing world,Human, Animal is an ode to the wild, a journey of self-discovery and a hopeful path to common ground.


Dairy farmer George Calvert is fighting to keep the family business afloat. Worried about the future but resistant to change, he refuses to face the reality of his failing farm, his elderly mother's declining health and his troubled relationship with his youngest son, Tom.


Newly returned from university, Tom isolates himself in his childhood bedroom, guarding the truth of his burgeoning identity.


When animal rights activists break into the cowshed one morning and Tom appears to side with the protesters, father and son lock horns. As the Calverts begin to unravel, a decades-old secret surfaces - one that might rip them apart completely, or finally unite them.


Perfect for fans ofPity by Andrew McMillan,Young Mungo by Douglas Stuart,A Town Called Solace by Mary Lawson andThe Discomfort of Evening by Lucas Rijneveld.


PRAISE FORHUMAN, ANIMAL
'The novel explores the connections between the social and political and the past and present, looking at how much of our identities we inherit, and the ways in which history repeats and evolves at the same time. A clever debut with an opening line you'll be thinking about for months' -GQ


'Impressive... The characterisation is so adept... [and] never fails to convince' -Financial Times


'Insua probes the spaces between black-and-white-thinking with immeasurable sensitivity...Human, Animal explores the anxious convergence of the past, present and future, with staggering clarity. A truly impressive debut ' -Joshua Jones, author ofLocal Fires


'Blisteringly emotional, exploring the complex folds of family bonds. The last page left me haunted. Completely unmissable' -Lucy Rose, author ofThe Lamb


'A beautiful, clever debut, written with such tenderness for its muddled, struggling cast. Insua balances polarised worlds - the young and old, the urban and rural, the expected and forbidden - to create a novel so full of generosity and insight' -Abigail Dean, author ofGirl A


'One of the most thought-provoking books I've read this year' -Naomi Kelsey, author ofThe Burnings


'A formidable saga of British farming - spinning a moving tale of belonging, family, and land that brings country life into fierce reckoning with the modern world. As vital and sweeping as the countryside it enfolds us in' -Scott Preston, author ofThe Borrowed Hills


'Compelling, conflicting and heartbreaking,Human, Animal had my heart pounding in my throat until I'd devoured every last page' -Awais Khan, author ofNo Honour


'A searingly powerful novel' -Lucy Ashe, author ofClara& Olivia


'Poignant, lyrical...Human, Animal is about remembering our shared humanity that has the potential to reunite us under one sun in this complex, ever-changing, yet beautiful world' -James Hodge,Attitude magazine


'A rich and compelling debut from a writer with a striking talent for weaving together complex narrative strands... Insua is one to watch' -Barney Norris, author ofThe Vanishing Hours

Father

The cow running loose inthe orchard is my mother. A blur in the moonlit garden. I watch her from the bedroom window as the nightmare loosens its grip. The animal cry that woke me came from her throat. That streak of hide is her cotton gown. My skin is crawling, but the cows are safe. Locked up, where they belong. And Ma is an easier being to handle.

It’s just gone two. I leave my wife in bed and feel my way downstairs. Hunched over, gripping the bannister. My chest is tight. I let out a shuddering breath and ache for sleep. What is Ma playing at? What could have possessed her, out there in the middle of the night? At the back door, I slip on my shoes without untying the laces, grab the heavy duffle coat. Then out onto the frozen path. Cold cuts through my pyjamas, ice crackling underfoot like bubble wrap. I prick up my ears, find the laurel with my fingertips. Let it lead me through the darkness.

Worry is a farmer’s right. Live with cows for long enough, their lowing crowds your waking thoughts. Spills into your dreams.

And tonight my brother Mike had come home. Fifteen years my junior, six years dead. I saw him surrounded by the herd, greeting the animals he once called friends. His laughter lines, just the way he was when he was alive. I wanted to hand him the reins and run for the hills. Instead, I wisecracked about his scarecrow hat, lying trampled in the mud when I found him. He made a joke about a bovine revolution. What they might do, if ever they knew their own strength.

And then something knocked me to the ground, and there were hooves thudding over my head. Thundering, thrashing. I sat up, gasping.

The cows have got out!

But it is only my mother I must round up tonight. Closer now, mischievous as a child. Saying something.

You won’t get me!

For god’s sake, Ma. You’ll catch your death.

I was just going to the privy.

There hasn’t been a privy in twenty years, since she finally agreed that an indoor toilet was a modern luxury even we Calverts could afford. I put my coat around her narrow shoulders. Chilled to the bone. She doesn’t resist as I shepherd her back towards the farmhouse.

There were no candles, Pop. I got lost.

I switch on the kitchen lights. Put her in the chair by the Aga. She blinks up at me, her eyes pink and wet.

The light, she whispers. Jerry will see. Jerry will get us.

I peer at the dark patch on the front of her nightgown, wrinkling my nose. That tart, animal smell. She has soiled herself.

I sigh, undress her in the chipped, porcelain tub in the downstairs bathroom. She sits there, trembling. Taking care of her, I feel my age, and she is just a girl. It’s after four by the time I’m back in bed.

I reach for Sandra, but I am alone under the covers. There are clanging crockery sounds from the kitchen, and the cows are bellowing impatiently. They know the time as well as anyone. I roll out of bed. Late for the school bell, late for milking. Echoes of my childhood shame, only now I am seventy-one and my old man and his disappointment in me are six feet under.

I pull on two shirts and a fleece. Ache and fumble through my ablutions. Curse when my fingers catch in my sleeve and the toothpaste plops off my brush onto the yellowed enamel of the sink. I am dog-tired. Sometimes when I move it is the floorboards that creak. Sometimes it is my own body. Breath escapes me like air from a dead thing.

The kitchen is steamy. Sandra turns from the Aga with a pot of coffee and thrusts a mug into my hands. Look at her: my wife, still young. Her hair is glossy mahogany streaked with grey. Dark bags hang below her eyes. I try to touch her, but she twirls out of my reach to wipe a splash of milk on the counter. She’s listening to theToday programme, which never fails to put me in a bad mood.Frankly, if you don’t like big government, you’re automatically very suspicious of Brussels, and I would never belong to a European union if I felt… I’d prefer to have a conversation than to listen to all that bickering. Or some good music. Or even silence, so early in the morning. But Sandra needs the news like it’s insurance.

Hallo, Georgie, says my mother, sitting at the kitchen table, the brightest of all of us.

I tell her how she got me up in the night, my voice rough. Her eyes cloud over. Sandra shoots me a disapproving look.

Sleepwalking? says Ma. Was I?

There’s colour in her cheeks now. I let it go. She is a force of nature, my mother, nimble and resourceful at ninety.

You better go and help Harry, Sandra reminds me, gesturing towards the farmyard.

Give me a second.

The cows are making a racket, Elder Son down in the cowshed already. But there’s no sign of Younger Son. I hesitate.

Have you seen Tom?

He graduated from Glasgow last summer and announced he was going vegan. Branded the farm exploitative,dependent on the forced labour of the vulnerable. The cheek of him. They’re bloody cows, and I pride myself on the way we treat our animals. Still, there’s no arguing with the young, something I keep forgetting as quickly as Sandra can point it out to me.

In bed? she says, taking a seat, gazing into her coffee.

Lazy sod.

He stopped joining us at the dinner table after I cooked the wrong supper one evening. You’d think I’d served him a plate of veal, force-f