: Pascal Garnier
: Gallic Noir: Volume 1
: Pushkin Vertigo
: 9781805336037
: Gallic Noir
: 1
: CHF 5.40
:
: Erzählende Literatur
: English
: 368
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Written over a 15-year period from the mid '90s, Garnier's short novels feature a recurring set of themes, characters and settings, and reading them side by side allows the author's profound and darkly comic tapestry of human experience to be fully appreciated. Volume 1 includes The A26, in which a new Picardy motorway brings modernity close to a flat in which a brother and sister live together, haunted by terminal illness and the events of 1945; How's the Pain?, the tale of an ageing 'pest exterminator' taking on one last job on the French Riviera; and The Panda Theory, in which a stranger, Gabriel, arrives in a Breton town and befriends the locals ... but is he as angelic as he seems?

Pascal Garnier, who died in March 2010, was a talented novelist, short story writer, children's author and painter. From his home in the mountains of the Ardèche, he wrote fiction in a noir palette with a cast of characters drawn from ordinary provincial life. Though his writing is often very dark in tone, it sparkles with quirkily beautiful imagery and dry wit. Garnier's work has been likened to the great thriller writer, Georges Simenon.

The A26

by Pascal Garnier

translated from the French by Melanie Florence

For Isa and Chantal

The third streetlamp at the end of the road had suddenly gone out. Yolande closed her eye, which was pressed up to the shutter. The echo of the white light went on pulsing on her retina for a few seconds. When she opened her eye again there was only a black hole in the sky over the dead streetlamp.

‘I’ve stared at it for too long, and the bulb’s gone.’ Yolande shuddered and left the window. She had been watching the street not through a gap in the shutter but through a hole made specially. In the entire house this was the only opening on the outside world. Depending on her mood, she called it the ‘bellybutton’ or the ‘world’s arsehole’.

Yolande could have been anywhere from twenty to seventy. She had the blurry texture and outlines of an old photograph. As if she were covered in a fine dust. Inside this wreck of an old woman there was a young girl. You would catch a glimpse of her sometimes in a way she had of sitting down, tugging her skirt over her knees, of running a hand through her hair, a surprisingly graceful movement in that wrinkled skin glove.

She had sat down at a table, an empty plate in front of her. Across the table another place was set. The ceiling lamp hung quite low, and was not strong enough to light up the rest of the dining room, which remained shrouded in darkness. You could sense, however, that it was cluttered with objects and pieces of furniture. All the air in the room seemed to be concentrated around the table, held within the cone of light shed by the lampshade. Yolande waited, bolt upright in her chair.

‘I saw the school bus this morning. The children were wearing every colour imaginable. Getting off the bus, they were like sweets spilling out of a bag. No, it wasn’t this morning, it was yesterday, or maybe the day before. They really did lo