: Alexandre Dumas
: The Count of Monte Cristo (complete and unabridged edition) An epic of vengeance and redemption in 19th century Paris - A timeless masterpiece of French literature (complete and unabridged edition)
: Books on Demand
: 9782322476565
: French Classics / Masterpieces of French Literature
: 1
: CHF 6.30
:
: Krimis, Thriller, Spionage
: English
: 868
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
"The Count of Monte Cristo" by Alexandre Dumas is a captivating adventure novel that tells the story of Edmond Dantès, a young Marseille sailor unjustly imprisoned. Victim of a plot orchestrated by jealous rivals, Dantès is accused of treason and locked up in the sinister fortress of Château d'If. During his long incarceration, Dantès meets Abbé Faria, an erudite prisoner who becomes his mentor. Faria reveals to him the existence of a treasure hidden on the island of Monte Cristo. After Faria's death, Dantès escapes spectacularly and discovers the fabulous treasure, which gives him immeasurable wealth. Transformed by the ordeal and fortune, Dantès reappears in Parisian high society under the mysterious identity of the Count of Monte Cristo. He then implements a meticulous plan of revenge against those who betrayed him: Fernand Mondego, Baron Danglars, Gérard de Villefort, and Caderousse. Each act of retaliation is cleverly orchestrated, revealing the secrets and crimes of his enemies. Throughout his quest, Monte Cristo is confronted with the unforeseen consequences of his actions, particularly on innocents. The novel thus explores themes of justice, redemption, and the limits of vengeance. The transformation of Dantès, from a naive young man to a relentless avenger, then to a being capable of compassion, constitutes the emotional heart of the work. Dumas weaves a complex plot, populated with memorable characters and striking twists."The Count of Monte Cristo" remains a timeless classic, combining adventure, romance, and moral reflection in a captivating narrative.

Alexandre Dumas, born in 1802 in Villers-Cotterêts and died in 1870 in Puys, is one of the most famous French writers of the 19th century. Son of a Napoleonic army general, he grew up in a modest environment but steeped in heroic stories. Dumas began his literary career as a playwright, but it was with his adventure novels that he achieved phenomenal success. His most famous works include"The Three Musketeers" (1844),"The Count of Monte Cristo" (1844-1846), and"The Vicomte de Bragelonne" (1847-1850). His style is characterized by lively narration, complex plots, and colorful characters. Dumas excels in the art of blending fiction and historical facts, creating captivating stories that have marked generations of readers. In addition to his novels, Dumas wrote plays, travel narratives, and historical works. His literary output is impressive, although he often collaborated with other writers, notably Auguste Maquet. Despite his success, Dumas led a tumultuous life, marked by extravagant spending and scandals. Nevertheless, he leaves behind a considerable literary legacy that continues to inspire and entertain readers around the world. Alexandre Dumas remains an emblematic figure of French literature, celebrated for his boundless imagination and storytelling talent.

II


FATHER AND SON


We will leave Danglars struggling with the demon of hatred, and endeavoring to insinuate in the ear of the shipowner some evil suspicions against his comrade, and follow Dantès, who, after having traversed La Canebière, took the Rue de Noailles, and entering a small house, on the left of the Allées de Meilhan, rapidly ascended four flights of a dark staircase, holding the baluster with one hand, while with the other he repressed the beatings of his heart, and paused before a half-open door, from which he could see the whole of a small room.

This room was occupied by Dantès’ father. The news of the arrival of thePharaon had not yet reached the old man, who, mounted on a chair, was amusing himself by training with trembling hand the nasturtiums and sprays of clematis that clambered over the trellis at his window. Suddenly, he felt an arm thrown around his body, and a well-known voice behind him exclaimed, “Father —dear father!”

The old man uttered a cry, and turned round; then, seeing his son, he fell into his arms, pale and trembling.

“What ails you, my dearest father? Are you ill?” inquired the young man, much alarmed.

“No, no, my dear Edmond —my boy —my son! —no; but I did not expect you; and joy, the surprise of seeing you so suddenly —Ah, I feel as if I were going to die.”

“Come, come, cheer up, my dear father! ’Tis I —really I! They say joy never hurts, and so I came to you without any warning. Come now, do smile, instead of looking at me so solemnly. Here I am back again, and we are going to be happy.”

“Yes, yes, my boy, so we will —so we will,” replied the old man; “but how shall we be happy? Shall you never leave me again? Come, tell me all the good fortune that has befallen you.”

“God forgive me,” said the young man, “for rejoicing at happiness derived from the misery of others, but, Heaven knows, I did not seek this good fortune; it has happened, and I really cannot pretend to lament it. The good Captain Leclère is dead, father, and it is probable that, with the aid of M. Morrel, I shall have his place. Do you understand, father? Only imagine me a captain at twenty, with a hundred louis pay, and a share in the profits! Is this not more than a poor sailor like me could have hoped for?” “Yes, my dear boy,” replied the old man, “it is very fortunate.”

“Well, then, with the first money I touch, I mean you to have a small house, with a garden in which to plant clematis, nasturtiums, and honeysuckle. But what ails you, father? Are you not well?”

“ ’Tis nothing, nothing; it will soon pass away” —and as he said so the old man’s strength failed him, and he fell backwards.

“Come, come,” said the young man, “a glass of wine, father, will revive you. Where do you keep your wine?”

“No, no; thanks. You need not look for it; I do not want it,” said the old man.

“Yes, yes, father, tell m