: Saki
: The Complete Short Stories of Saki. Illustrated THE UNREST-CURE, THE MUSIC ON THE HILL
: Strelbytskyy Multimedia Publishing
: 9780880004299
: 1
: CHF 0.90
:
: Humor, Satire, Kabarett
: English
: 980
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Hector Hugh Munro, or Saki, as he was known to his avid readers, worked as a news correspondent who had ample opportunity to travel the world and observe many cultures of the East. He lifted his pen name from the popular Rubáiyat of Omar Khayyám. In Farsi, the word 'saki' means wine. His short satirical stories, filled with well-turned phrases and cynical irony, are reminiscent of O. Wilde and O. Henry. Black humor permeates almost all of Saki's work. In the realm of social satire, Munro influenced Evelyn Waugh and Wodhouse. Contents: INTRODUCTION TO SAKI'S STORIES; REGINALD; REGINALD IN RUSSIA; THE CHRONICLES OF CLOVIS; BEASTS AND SUPER-BEASTS; THE TOYS OF PEACE; THE SQUARE EGG AND OTHER SKETCHES; AN UNCOLLECTED STORY; THE UNREST-CURE; THE MUSIC ON THE HILL and more short satirical stories.

Hector Hugh Munro (18 December 1870 - 14 November 1916), better known by the pen name Saki and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirize Edwardian society and culture.

GABRIEL-ERNEST


“There is a wild beast in your woods,” said the artist Cunningham, as he was being driven to the station.  It was the only remark he had made during the drive, but as Van Cheele had talked incessantly his companion’s silence had not been noticeable.

“A stray fox or two and some resident weasels.  Nothing more formidable,” said Van Cheele.  The artist said nothing.

“What did you mean about a wild beast?” said Van Cheele later, when they were on the platform.

“Nothing.  My imagination.  Here is the train,” said Cunningham.

That afternoon Van Cheele went for one of his frequent rambles through his woodland property.  He had a stuffed bittern in his study, and knew the names of quite a number of wild flowers, so his aunt had possibly some justification in describing him as a great naturalist.  At any rate, he was a great walker.  It was his custom to take mental notes of everything he saw during his walks, not so much for the purpose of assisting contemporary science as to provide topics for conversation afterwards.  When the bluebells began to show themselves in flower he made a point of informing every one of the fact; the season of the year might have warned his hearers of the likelihood of such an occurrence, but at least they felt that he was being absolutely frank with them.

What Van Cheele saw on this particular afternoon was, however, something far removed from his ordinary range of experience.  On a shelf of smooth stone overhanging a deep pool in the hollow of an oak coppice a boy of about sixteen lay asprawl, drying his wet brown limbs luxuriously in the sun.  His wet hair, parted by a recent dive, lay close to his head, and his light-brown eyes, so light that there was an almost tigerish gleam in them, were turned towards Van Cheele with a certain lazy watchfulness.  It was an unexpected apparition, and Van Cheele found himself engaged in the novel process of thinking before he spoke.  Where on earth could this wild-looking boy hail from?  The miller’s wife had lost a child some two months ago, supposed to have been swept away by the mill-race, but that had been a mere baby, not a half-grown lad.

“What are you doing there?” he demanded.

“Obviously, sunning myself,” replied the boy.

“Where do you live?”

“Here, in these woods.”

“You can’t live in the woods,” said Van Cheele.

“They are very nice woods,” said the boy