: Damon Galgut
: The Impostor Author of the 2021 Booker Prize-winning novel THE PROMISE
: Atlantic Books
: 9780857895295
: 1
: CHF 10.40
:
: Erzählende Literatur
: English
: 256
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Shortlisted for the Commonwealth Writers' Prize for Best Book (Africa region) When Adam moves into an abandoned house on the dusty edge of town, he is hoping to recover from the loss of his job and his home in the city. But when he meets Canning - a shadowy figure from his childhooh - and Canning's enigmatic and beautiful wife, a sinister new chapter in his life begins. Canning has inherited a vast fortune and built for himself a giant folly in the veld, a magical place of fantasy and dreams that seduces Adam and transforms him absolutely, violently - and perhaps forever. Damon Galgut's magnificent novel evokes a hot and cruel and claustrophobic world, in which sex and death are never far from the surface. It is his most powerful and unforgettable novel yet.

DAMON GALGUT was born in Pretoria in 1963. He wrote his first novel, A Sinless Season, when he was seventeen. His other books include Small Circle of Beings, The Beautiful Screaming of Pigs, The Quarry and The Good Doctor. The Good Doctor was shortlisted for the Man Booker Prize, the International IMPAC Dublin Award and the Commonwealth Writers Prize. Damon Galgut lives in Cape Town.

1


The journey was almost over; they were nearly at their destination. There was a turn-off and nothing else in sight except a tree, a field of sheep and lines of heat rippling from the tar. Adam was supposed to stop, but he didn’t stop, or not completely. Nothing was coming, it was safe, what he did posed no danger to anybody.

When the cop stepped out from behind the tree, it was as if he’d materialized out of nowhere. He was clean and vertical and peremptory in his uniform, like an exclamation mark. He stood in the road with his hand held up and Adam pulled over. They looked at each other through the open window.

Adam said, ‘Oh, come on, you can’t be serious.’

The cop was a young man, wearing dark glasses. He gave the impression, in all this dust and sun, of being impossibly cool and composed. ‘There is a stop sign,’ he told Adam. ‘You didn’t stop. The fine is one thousand rand.’

‘Wow. That’s a lot of money.’

He smiled and shrugged. ‘Your driver’s licence, please.’

‘Can’t you let it go? Just give me a warning or something?’ He searched for the man’s eyes, but all he got was dark glass.

‘I have to follow the rules, sir. Do you want me to break the rules?’

‘Uh, well, it would be nice if you stretched them a bit.’

The man smiled again. ‘I could get into trouble for that, sir.’ After a pause he added, ‘You would have to make it worth my while.’

‘Sorry?’

‘If you want me to break the rules, you have to make it worthwhile.’

It was spoken so casually, in such a conversational way, that Adam thought he’d misheard. But no: it had been said, exa