: Polly Stoker, Elisabeth Charis, Jonathan Davidson
: A Midlands Odyssey
: Nine Arches Press
: 9780992758998
: 1
: CHF 7.00
:
: Märchen, Sagen, Legenden
: English
: 120
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB
In A Midlands Odyssey ten writers take the stories of Homer's Odyssey and transplant them to the English Midlands. With a range of settings - from smart canal-side apartments to late-night launderettes - these stories are wonderfully inventive and offer a down-to-earth take on one of the world's greatest pieces of storytelling.'The Odyssey theme, so rich with its tales of wandering Odysseus, the lure of the Sirens, the loss felt by Penelope and those gruesome reports across time from the underworld, energizes the ten writers here, providing a pretext for a fine array of inventive and imaginative stories, attuned to the legend, aslant to the Ancient World, adventurous in their address. If the topology is contemporary and centrally oriented, and the themes entertainingly current, this anthology is certainly not Midlands miscellaneous; it's the opposite of drab urban realism: a mere seagull's cry, only the odd whisper and rumour away from Ancient Greece itself.' Alan Mahar'An inventive and intriguing project, distinguished not only by the power of its Homeric reimaginings but by the superb quality of the writing throughout.' Jo Balmer Stories edited by Polly Stoker, Elisabeth Charis and Jonathan Davidson. Includes stories by: Yasmin Ali, Lindsey Davis, Elisabeth Charis, Kit De Waal, Charlie Hill, Paul McDonald, Richard House, Dragan Todorovic, Natalie Haynes, David Calcutt. This book is also available as a eBook. Buy it from Amazon here.

YASMIN ALI

In the Lap of the Gods



Eddie walked through the car factory for the last time. His work here was nearly done.

‘You’ve seen my draft report to Frankfurt,’ said Eddie to the plant manager at his side. ‘We have two options. Both lead to productivity gains, one’s going to hurt more. What’s your take on this, Salim?’

‘Real technical innovation? That means job losses,’ said Salim. ‘But Turkey has enough history. We need to protect the future. We’re a young country.’

‘Good man,’ said Eddie, with a collusive nod. The phone pulsed in his pocket, but he chose to ignore it. In any case, he could guess who it was. Athene.

At the Athene offices Claire could scarcely contain her excitement. ‘I just know they’re going to love this,’ she said.

‘Maybe,’ said David, ‘but Poseidon’s after it, too. Don’t write them off. They sunk our last bid to Channel Four.’

‘But it’s not Channel Four, is it? This is Zeus,’ said Claire. ‘They want bold, edgy…’

‘They want ratings,’ said David. ‘Eyes on the prize, remember?’

So it was that Claire came to prepare for her meeting with the Commissioning Editor (Factual) at Zeus Television. The meeting took place at his club. The Olympus drew little attention to itself from the street; just a discreet doorway in Soho marked by a simple aluminium plate. Inside was a little different. A flunky dressed like a spangly Seventies game show host showed Claire up to the first floor library where Jolyon sat in a flamboyantly upholstered armchair reading on his tablet.

‘It’s a street in Birmingham,’ said Claire.

‘Benefits Street. It’s been done,’ said Jolyon. ‘Poverty porn, too depressing.’

‘This has got wealth and poverty, freaks and glamour,’ Claire began.

‘Heartbreak and humour?’ said Jolyon.

‘Check,’ said Claire. ‘Really. It has everything.’

‘Death?’ said Jolyon.

‘Absolutely,’ said Claire. ‘Athene are confident that this series reinvents reality television.’

‘So,’ said Jolyon, picking imaginary fluff from the knee of his burgundy trousers and dropping it to the floor. The gestu