: Anna Noyes
: The Blue Maiden A dazzling feminist gothic about witches, loss and resilience
: Atlantic Books
: 9781786495822
: 1
: CHF 7.60
:
: Erzählende Literatur
: English
: 240
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
'Haunting' NEW YORK TIMES 'A shimmering spell of a novel' EMMA TÖRZS 'Partly a young girl's coming of age, partly a treatise of the wildness of women' STEPHANIE DANLER _____________________________ _________________________ It's 1825, generations since the women of Berggrund Island stood accused of witchcraft, many of them put to death. But the shadow of this violent past looms large over the isolated community. Now, the island is overseen by Pastor Silas, a widower with two wild daughters, Beata and Ulrika. The sisters are outcasts: imaginative, rebellious, and consumed by a curiosity about their home's dark history and the mother they lost. When an enigmatic outsider arrives at their door, his presence threatens their family bond and unearths a buried history to shocking ends... ___________________ Readers are loving The Blue Maiden 'A beautifully told story' 'One of the most immersive novels I've read in ages' 'I loved loved this' 'A perfect read for the fall season' 'A fantastic Nordic Folk Horror'

Anna Noyes' debut collection, Goodnight, Beautiful Women, was a finalist for the Story Prize and the New England Book Award, as well as a New York Times Editors' Choice, Indie Next Pick, Barnes and Noble Discover Great New Writers Selection, and Amazon Best Book of the Month. She holds an MFA from the Iowa Writers' Workshop. Her fiction has appeared in Vice, A Public Space, and Guernica, among others. She has received the Lotos Foundation Prize and the Henfield Prize, as well as residencies from MacDowell, Yaddo, Lighthouse Works, the James Merrill House, and Aspen Words. She lives in New York, on Fishers Island.

Part I


Berggrund Island, Sweden


1675


Today, wash day.

The island’s thirty-two women wake before dawn. This is their favorite time, wind not yet alive on the water, as if the wind sleeps also.

Wives turn to the broad, freckled backs of their husbands. The children stare from the doorway then come burrowing in, crowns of their heads burning but their feet unfathomably cold. They smell mossy, of addled sleep, damp sweat. Their sheets will be scoured. The children, lately, suffer nightmares they cannot remember.

Across town, women attend to the morning.

One is greeted by a vole’s mauled body, laid out on her doorstep. Another presses damp tea leaves to the fleabites ringing her ankles. A third sips cream off the top of the milk, then puffs on her dead father’s pipe. Ash is shoveled, chicken thighs taken from the ice chest and salted. In the dustpan, a curled black shape is mistaken for a snake, but no, only a leek, petrified from hiding many months under the cookstove. The baby inside Signe hiccoughs. Ida watches the ocean from her stoop for the day’s first waves, sketching a new drawing in her book. Not a specimen this time but an image from her imagination: a long line of women wading into water.

The priest waits for them at the church gate.

The sky pinks, across the street the grassland cast in soft hues that will harshen by half past six.

Beside him stand the orphan brothers, farmhands seven and eleven years old. The older brother trims their hair crooked with sheep shears. Their vests are flecked with hay because they sleep beside the goats for warmth and comfort.

Last night the priest—knowing they were starving—plied them with a supper of plums, pork loin, and hard-boiled eggs. They ate on haybales. “Let me tell you a story,” the priest said. “About the two of you. I have a vision you will help me.” But they were not listening, absorbed in sucking their sour plum pits, so he su