: T. Kingfisher
: A Sorceress Comes to Call
: Titan Books
: 9781789098303
: 1
: CHF 8,90
:
: Krimis, Thriller, Spionage
: English
: 400
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
THE 2025 HUGO AND NEBULA AWARD NOMINEE FOR BEST NOVEL From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes a dark retelling of the Brothers Grimm's Goose Girl, rife with secrets, murder, and forbidden magic. Perfect for fans of Naomi Novic, Alix E. Harrow and Nettle& Bone. Cordelia knows her mother is unusual. Their house doesn't have any doors between rooms-there are no secrets in this house! Cordelia isn't allowed to have a single friend. The only time she feels truly free is on her daily rides with her mother's beautiful white horse, Falada. But more than a few quirks set her mother apart. Other parents can't force their daughters to be silent and motionless-obedient-for hours or days on end. Other mothers aren't . . . sorcerers. After a suspicious death in their small town, Cordelia's mother insists they leave in the middle of the night, leaving behind all Cordelia has ever known. They arrive at the remote country manor of a wealthy older man, the Squire, and his unwed sister, Hester. Cordelia's mother intends to lure the Squire into marriage. Cordelia knows this can only be bad news for the bumbling gentleman and his kind, intelligent sister. Hester sees the way Cordelia shrinks away from her mother. How the young girl sits eerily still at dinner every night. She knows that to save her brother from bewitchment and to rescue the terrified Cordelia, she will have to face down a wicked witch of the worst kind.

T. Kingfisher is the adult fiction pseudonym of Ursula Vernon, the multi-award-winning author of Digger and Dragonbreath. She is an author and illustrator based in North Carolina who has been nominated for the Ursa Major Award, the Eisner Awards, and has won the Nebula Award for Best Short Story for 'Jackalope Wives' in 2015 and the Hugo Award for Best Novelette for 'The Tomato Thief' in 2017. Her debut adult horror novel, The Twisted Ones, won the 2020 Dragon Award for Best Horror Novel, and was followed by the critically acclaimed The Hollow Places

1


There was a fly walking on Cordelia’s hand and she was not allowed to flick it away.

She had grown used to the ache of sitting on a hard wooden pew and being unable to shift her weight. It still hurt, but eventually her legs went to sleep and the ache became a dull, all-over redness that was easier to ignore.

Though her senses were dulled in obedience, her sense of touch stayed the strongest. Even when she was so far under that the world had a gray film around the edges, she could still feel her clothing and the touch of her mother’s hand. And now the fly’s feet itched, which was bad, then tickled, which was worse.

At the front of the church, the preacher was droning on. Cordelia had long since lost the thread. Lust and tithing were his two favorite topics. Probably it was one of those. Her mother took her to church every Sunday and Cordelia was fairly certain that he had been preaching the same half-dozen sermons for the past year.

Her eyes were the only muscles that she could control, so she was not looking at him, but down as far as she could. At the very bottom of her vision, she could see her hands folded in her lap and the fly picking its way delicately across her knuckles.

Her mother glanced at her and must have noticed that she was looking down. Cordelia’s chin rose so that she could no longer see her hands. She was forced to study the back of the head of the man in front of her. His hair was thinning toward the back and was compressed down at the sides, as if he wore a hat most days. She did not recognize him, but that was no surprise. Since her days at school had ended, Cordelia only saw the other townsfolk when she went to church.

Cordelia lost the tickling sensation for a moment and dared to hope that the fly was gone, but then the delicate web between her thumb and forefinger began to itch.

Her eyes began to water at the sensation and she blinked them furiously. Crying was not acceptable. That had been one of the first lessons of being made obedient. It would definitely not be acceptable in church, where other people would notice. Cordelia was fourteen and too old to cry for seemingly no reason—because of course she could not tell anyone the reason.

The fly crossed over to her other hand, each foot landing like an infinitesimal pinprick. The stinging, watering sensation in her eyes started to feel like a sneeze coming on.

Sneezing would be terrible. She could not lift her hands or turn her head, so it would hit the back of the man’s head, and he would turn around in astonishment and her mother would move her mouth to apologize and everyone would be staring at her for having been so ill-mannered.

Her mother would not be happy. Cordelia would have given a year of her life to be able to wipe her eyes. She sniffed miserably, her lungs filling with the smell of candles and wood polish and other people’s bodies. Under it all lay the dry, sharp smell of wormwood.

And then, blessedly, the preacher finished. Everyone said, “Amen,” and the congregation rose. No one noticed that Cordelia moved in unison with her mother.

No one ever did.

*   *   *

“I suppose you’re mad at me,” said her mother as they walked home from church. “I’m sorry. But you might try harder not to be so rebellious! I shouldn’t have to keep doing this to you, not when you’re fourteen years old!”

Cordelia said nothing. Her tongue did not belong to her. The person that smiled and answered all the greetings after the sermon—“Why Evangeline, don’t you look lovely today? And Cordelia! You keep growing like a weed!”—had not been Cordelia at all.

They reached home at last.Home was a narrow white house with peeling paint, set just off the road. Evangeline pushed the front door open, walked Cordelia to the couch, and made her sit.

Cordelia felt the obedience let go, all at once. She did not scream.

When Cordelia was young, she had screamed when she came out of obedience, but this gave her moth