: S. S. Van Dine
: The Bishop Murder Case The Classic Manhattan Puzzle Mystery
: Pushkin Vertigo
: 9781782279990
: 1
: CHF 1.10
:
: Erzählende Literatur
: English
: 384
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
The perfect sleuth for the Jazz Age' Crimereads 'With his highbrow manner and his parade of encyclopaedic learning, Philo Vance is not only a detective; he is a god out of the machine' New York Times 'Probably the most asinine character in detective fiction' Raymond Chandler __________ In one of the most well-known classic American puzzle mysteries, amateur detective Philo Vance must solve a baffling series of murders based on nursery rhymes. A series of gruesome murders has left the glittering world of Jazz Age Manhattan in shock. With every new victim, the perpetrator sends a taunting note to the press, simply signed 'The Bishop'. New York's District Attorney turns to the only man who can crack the case: the dapper and brilliant detective Philo Vance. With his razor-sharp intellect and impeccable style, Vance sets out to track down the killer before more lives are lost, and soon uncovers a dark pattern to the murders. As the investigation takes him from the mansions of the city's elite to the seedy underworld of speakeasies and jazz clubs, Vance must use all his wits to stay one step ahead of The Bishop. Will he be able to solve the case in time, or risk becoming the killer's next victim?

S.S. VAN DINE was the pseudonym of Willard Huntington Wright (1888 - 1939), a US art critic and prolific author. After a long illness, he started writing detective fiction, creating the wildly popular detective Philo Vance whose obscure cultural references and knowledge of aesthetic arts helped him solve many complicated puzzle plots.

(SATURDAY, APRIL 2; NOON)


Of all the criminal cases in which Philo Vance participated as an unofficial investigator, the most sinister, the most bizarre, the seemingly most incomprehensible, and certainly the most terrifying, was the one that followed the famous Greene murders.* The orgy of horror at the old Greene mansion had been brought to its astounding close in December; and after the Christmas holidays Vance had gone to Switzerland for the winter sports. Returning to New York at the end of February, he had thrown himself into some literary work he had long had in mind—the uniform translation of the principal fragments of Menander found in the Egyptian papyri during the early years of the present century; and for over a month he had devoted himself sedulously to this thankless task.

Whether or not he would have completed the translations, even had his labors not been interrupted, I do not know; for Vance was a man of cultural ardencies, in whom the spirit of research and intellectual adventure was constantly at odds with the drudgery necessary to scholastic creation. I remember that only the preceding year he had begun writing a life of Xenophon—the result of an enthusiasm inherited from his university days when he had first read theAnabasis and theMemorabilia—and had lost interest in it at the point where Xenophon’s historic march led the Ten Thousand back to the sea. However, the fact remains that Vance’s translation of Menander was rudely interrupted in early April; and for weeks he bec