: William Boyle
: A Friend is a Gift you Give Yourself Thelma and Louise Meets Goodfellas
: No Exit Press
: 9780857301314
: 1
: CHF 6.20
:
: Krimis, Thriller, Spionage
: English
: 352
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
THELMA AND LOUISE MEETS GOODFELLAS when an unlikely trio of women in New York find themselves banding together to escape the clutches of violent figures from their pasts. After Brooklyn mob widow Rena Ruggiero hits her eighty-year-old neighbour Enzio on the head with an ashtray when he makes an unwanted move on her, she steals his vintage Chevy Impala and retreats to the Bronx home of her estranged daughter, Adrienne, and her granddaughter, Lucia, only to be turned away at the door. Their neighbour, Lacey'Wolfie' Wolfstein, a one-time Golden Age porn star and retired Florida Suncoast grifter, takes Rena in and befriends her. When Lucia discovers that Adrienne is planning to hit the road with her ex-boyfriend, she figures Rena is her only way out of a life on the run with a mother she can't stand. The stage is set for an explosion that will propel Rena, Wolfie, and Lucia down a strange path, each woman running from their demons, no matter what the cost. A Friend is a Gift You Give Yourself is a screwball noir about finding friendship and family where you least expect it, in which William Boyle again draws readers into the familiar - and sometimes frightening - world in the shadows at the edges of New York's neighbourhoods.

William Boyle is the author of eight books set in and around the southern Brooklyn neighbourhood of Gravesend, where he was born and raised. His books have been nominated for the Hammett Prize, the John Creasey (New Blood) Dagger Award in the UK, and the Grand Prix de Littérature Policière in France, and they have been included on best-of lists in Washington Post, CrimeReads, and more. He currently lives in Oxford, Mississippi.

Rena

Bensonhurst, Brooklyn

Sunday, June 11, 2006

After Sunday morning Mass andher regular coffee date with her friend Jeanne at McDonald’s, Rena Ruggiero is back on her block, Bay Thirty-Fifth Street. So strange to be from a block, to feel at home on onlyyourblock while all the others, even the ones directly surrounding you, feel so foreign. Her whole life spent on this block. Growing up in the house, staying through her time at Brooklyn College, and then moving into the upstairs apartment with Vic when they got married. And when her parents died, taking over the whole place. It was big for three people. Even bigger for one. Sixty-eight years the house has been in her family, bought eight years before she was born.

She stands out front now, as she often does, and considers the house’s flaws. It needs new siding. That was a project Vic had been in the process of setting up before he was killed. Probably needs a new roof, too. The porch sags. Posts and railings need to be scraped and painted, a lot of the wood rotten. The windows are old. Too much cold seeps in. She could sell it – the Chinese are buying up houses in the neighborhood like crazy – but selling seems like such a hassle.

And the stoop. She still sees Vic slumped there, as he was on that awful day nine years before. She remembers the exact way the blood pooled on the steps. She looks hard enough, she can still see spots where it has browned the cement forever. Poor Vic. Probably watching the pigeons on the roof of the apartment building across the street, Zippo the landlord guiding his kit in formation with a big black flag. And then Little Sal approaching with his gun raised.

Rena had been inside at the stove, frying veal cutlets. She heard the shot, figured it for a car backfiring, maybe some dumb kids with an M-80. She didn’t come out until she heard screaming and sirens and tires screeching. Walking out of the kitchen, down the hallway, the way she remembers it, was all in slo-mo. She wasn’t thinking something had happened to Vic. He was just sitting there; he wasn’t off at work. The fear had always lingered in her, but it wasn’t there just then. They had a ballgame to listen to, cutlets to eat. Little Sal was long gone when she made it to Vic.

Rena remembers how she crouched over him in the ambulance on the way to the hospital, crying, holding her rosary. Vic, who was in a bad business but had a soft voice and thoughtful brown eyes. His associates called him Gentle Vic. He’d raked it in for the Brancaccios. A huge earner. What had gone wrong had nothing to do with his work, just a beef with a punk, a kid named Little Sal trying to make a name for himself by knocking off a made guy. Shot Vic as he sipped on espresso, squash flowers from Francesca up the block in a ziplock bag on the step next to him.

Everyone knows about Vic, what he did, how he died, but no one talks to her about it in specifics. No one asks her what it’s like to see your husband bleeding to death. Or what it’s like to hose dried blood off your front stoop after burying the only man you’ve ever loved. The Brancaccios took care of her after the fact, paid for the funeral, gave her some money, but no one comes around anymore. She was never very tight with any of the other wives.

Rena goes inside and turns off the alarm. The alarm was Vic’s idea, after some break-ins on the block back in the early nineties. He was gone a lot and wanted her to feel safe. She takes off her coat and puts on water for tea and then decides she doesn’t want tea and shuts the burner. The phone is right next to the stove, an old yellow rotary mounted to the wall. A picture of her parents