: Victor LaValle
: Big Machine
: No Exit Press
: 9781842434321
: 1
: CHF 6.20
:
: Krimis, Thriller, Spionage
: English
: 384
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Ricky Rice is a middle-aged hustler with a lingering junk habit, a bum knee, and a haunted mind. The sole survivor of a suicide cult, he spends his days scraping by as a porter at a bus depot in Utica, New York. Until one day a letter arrives, reminding him of a vow he once made and summoning him to Vermont's remote Northeast Kingdom to fulfill it. There, Ricky is inducted into a band of paranormal investigators comprised of former addicts and petty criminals, all of whom have at some point in their wasted lives heard the Voice: a murmur on the wind, a disembodied shout, a whisper in an empty room. All these may or may not have been messages from God. Their mission is to find the Voice - and figure out what it wants. Big Machine takes us from Ricky's childhood in a matrilineal cult housed in a New York City tenement to his near-death experience in the basement of an Iowa house owned by a man named Murder. And to his final confrontation with an army of true believers - and with his own past. Infused with the wonder of a disquieting dream and laced with Victor LaValle's fiendish comic sensibility, Big Machine is a mind-rattling mystery about doubt, faith, and the monsters we carry within us. Big Machine named: - American Book Award 2010 - Shirley Jackson Award 2009 - Winner - Best Novel - 10 Best Books of 2009 - Publisher's Weekly - Favorite Fiction of 2009 - Chicago Tribune - Best Science Fiction of 2009 - Los Angeles Times - Best Science Fiction& Fantasy - Washington Post - Most Valuable Fiction Book of 2009 - The Nation - Ernest J. Gaines Award for Literary Excellence 2010 Winner

Victor LaValle is the author of the short story collection Slapboxing with Jesus and two novels, The Ecstatic and Big Machine. He has been the recipient of numerous awards including a Whiting Writers' Award, a United States Artists Ford Fellowship, a Guggenheim Fellowship and the key to Southeast Queens.

NO REGRETS until about fifteen minutes into the ride. We left on time, which was a surprise in the middle of a snowstorm, but the driver didn’t seem like a time-waster. Not the friendliest dude you ever met, he snatched tickets from people’s hands as they boarded, but better that kind than the one who’d laze around the station chatting with the other drivers. Soon as he pulled out the station, the driver became our concentrated captain, his entire focus on the snowy terrain.

We weren’t a full busload, maybe three quarters. I had a small Hispanic woman next to me. Me the aisle, she the window. She’d fallen asleep before the driver started the engine, and I wondered what she might be escaping or what mystery she might be moving toward.

I became so curious I felt like shaking her awake and asking, because the insanity of my own choice became clearer with each block we left behind. I watched the streets I’d crossed every morning on my way to the station, Railroad Street, Broad Street, North Genesee, and felt as though I were saying good-bye to three of my coworkers. And that’s when I really understood: I quit my job.

I quit my job.

I was screaming inside my skull, I quit my job! I am forty years old and I just quit my job! What the hell was I thinking? I grabbed the arm rests and squeezed them so hard the plastic should’ve cracked.

I just felt so damn scared.

But it had only been a few minutes. We weren’t even on the highway yet, though I could see the on-ramp in the distance. Flurries of snow slapped against the windshield, and the driver turned the wipers on just as he approached a red light. The driver stopped at the crossroads, and I shook in my seat.

Just get out now and go back. Cheryl won’t even have noticed. Tell her you left for lunch.

But then the bus moved again. We reached the on-ramp. But, even now, there was still time! The bus skulked at the top of the ramp as the driver waited to merge. The snow came down so thick it could’ve hidden an eighteen-wheeler.

So I had one last chance to escape. I could holler to be let off and go back to the safety of a regular paycheck. I found myself on my feet before realizing I’d even moved. I grabbed the headrest of the empty seat in front of me, stepped one foot into the aisle, but then a voice shouted behind me.

“Negro, sit down!”

Who else could the voice be talking to? There were other Negroes on the bus (if you want to use that term), but none were on their feet. And do you know the craziest part? The most shameful part? I listened. I sat down.

As soon as I did, I became angry, at myself really, and turned around to snap at the speaker, but lost my voice when I saw the Negro who’d done the shouting. (I refuse to say African-American, it just takes too damn long.)

“Sit down and hear some truth,” the man said, squinting in my direction.

This guy. He was three-quarters bum and, unfortunately, one-quarter legal ticket holder. He stepped into the aisle, grabbing the headrests on either side of him for balance.

“We are at war, you people. America is in a fight!”

And with that, thirty-seven passengers groaned as one. Those of us who were awake looked toward the front of the bus, at the driver, for help.

But the driver had abandoned us. He leaned forward in his seat and held the steering wheel even tighter, as if to say, Can’t you see how hard I’m working?

“I’m not talking about Iraq. I’m talking about the battle here! On our soil. In our souls.”

We were on our own. Just us.

Once this became clear, the hobo paced the aisle. When he passed me, I got to see him better. He stooped when he walked, even though he was clearly younger than me. A slim body, but a puffy face, the blown-out nose of a lifetime drinker. I’ll bet you could get tipsy licking the sweat on his forehead. I’m sorry to say this, but the m