: Owen Sheers
: To Provide All People A Poem in the Voice of the NHS
: Faber& Faber
: 9780571348091
: 1
: CHF 2.10
:
: Dramatik
: English
: 112
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
July 2018 marks the 70th anniversary of the National Health Service Act. Owen Sheers, the author of Pink Mistand the BAFTA nominated The Green Hollow, has created a virtuosic'film-poem&apos to coincide with the Vox Pictures/BBC production broadcast to mark the occasion. To Provide All People is the intimate story of the N.H.S in British society today. Depicting 24 hours in the service, with a regional hospital at the centre of the action, the poem charts an emotional and philosophical map of the N.H.S against the personal experiences that lie its heart; from patients to surgeons, porters to midwives. This is a world of transformative pains, triumphs, losses and celebrations that joins us all in our universal experiences of health and sickness, birth and death, regardless of race, gender or wealth. Based upon over 70 hours of interviews, the work is punctuated with the historical narrative of the birth of the N.H.S Act - from its origins in a local miners' scheme in Tredegar in Wales, through multiple hearings, amendments and battles with the press, the B.M.A and the Conservative party, to its coming into effect in July 1948. To Provide All People is a work that excavates what the N.H.S. represents and means - on a personal and national level - and paints an authentic, tonal picture of a rare social phenomenon, illuminating with exquisite sensitivity and power why the ethos at its heart should always be protected.

Owen Sheers is a poet, novelist and playwright. Twice winner of the Wales Book of the Year, his books of poetry include Skirrid Hill, winner of a Somerset Maugham Award, and the verse drama Pink Mist, winner of the Hay Festival Poetry Medal. In 2018 he was awarded the Wilfred Owen Poetry Award. Owen's theatrical work includes TheTwo Worlds of Charlie F., winner of the Amnesty International Freedom of Expression Award, Mametz, and National Theatre Wales's seventy-two hour The Passion. Chair of Wales PEN Cymru and Professor in Creativity at Swansea University, he lives in the Black Mountains of Wales with his wife and two daughters.

An inspiration of breath.

HYWEL, a porter, watches the dawn from

a third-floor window

in Nevill Hall hospital, Abergavenny.

An empty bed stands beside him.

Hywel

Here’s a thing.

How, exactly, would you say

does an idea begin? Where does it all start?

In one woman’s brain? One man’s heart?

Doesn’t seem likely, does it?

I mean, all of us are fuelled

by the thoughts of others,

by what we’ve read, gleaned or seen.

Take all this – health care, medicine,

didn’t just rise from nowhere, did it?

Someone, somewhere, I always think,

back across the millennia, must have been the first –

to lay a hand on the wound of a stranger.

In a cave maybe, ice at its mouth,

a fire beside. Or perhaps later, in a hut or a shelter.

Wherever, whenever it was,

someone must have been the first –

to offer comfort beyond their tribe

not because they had to or should,

but because they could.

He takes up the empty bed

and pushes it on down the corridor.

Someone else again would have seen that,

watched, learnt how to do the same –

what staunched the blood, eased the pain.

And so it must have begun within us,

not so much an idea as an offering –

a caring chain of practice and knowledge;

a refusal as a species to just lie down and take it

but rather, through attention,

intelligence, care, foster a belief

in our agency in life –

our ability to pit our empathy and wit

against sickness, disease and death,

the trials of the body and the brain.

To say, when our health goes south,

‘No, not this.’

As he follows his route through the hospital

it begins to come to life around him.

Nurses doing handovers, radiographers preparing,

domestics delivering meals, doctors reading notes.

Ever since then, I’d say, all of us

who work in medicine,

well, we’re all, however tangential,

descendants aren’t we?

Of that offering, that first intimate action.

Here in Wales, by all accounts, we started early.

Around 1000BC, before Hippocrates, mind,

that’s whenMeddyginiaeth – medicine,

or the language of doctors, literally –

was first recorded as a rural art,

practised by theCymro before they had much

of anything else – cities, sovereignty.

By 430BC it lay even closer

to the civic heart, protected and encouraged

as one of three civil arts.

YVONNE, a domestic,

is buffing the corridor between two wards.

Yvonne

It was, fair dos – but what were the other two?

Navigation, that was one and Commerce the other.

Oh yeah, right from the start

money and medicine were close, like brothers.

Just look at the laws of Hywel Dda,

in what, 930AD? There it is in black and white,

‘the offices of the court physician’.

But what else did those laws enshrine? That’s right. His fees.

‘Four pence for the letting of blood

Nine score and his food for a dangerous wound –

a stroke on the head unto the brain,

a stroke on the body unto the bowels,

a broken limb put right –

Four pence again for herbs to ease a pain.

Twelve pence for an ointment of red.

One legal penny for his light every night

and one and a half for his daily bread.’

HYWEL has collected

an elderly patient, ALICE.

As he wheels her back to her ward—

Hywel

She’s right of course. There’s no denying,

the ideas that make us meet in us too,

conjoin, get all wrapped up in each other,

until to imagine them apart, pulled asunder,

well, would be more vision than thought.

I mean, time, knowledge, skill,

none has ever come for nothing has it?

So how might you do it? Where would you begin?

To unwrap the money from the medicine?

Make individual care a communal concern?

How might you surgically remove

financial transaction from the consulting room?

Make treatments free at the point of care,

available to all, no matter who they are?

Would it even be possible?

HYWEL rolls ALICE into her ward,

handing over to VALERIA, a nurse.

As he leaves—

Good questions, all,

but before you can solve them

you need someone to ask them

and that, I’d argue, is when sometimes

one person can be the difference.

Not tohave the idea as such, but yes,

to change its direction, maybe, who knows,

even where it lands, the final destination.

Someone who doesn’t just see the vision

but who can raise it too,

beyond the orbit of the eye

towards the doing of the hand

and the believing of the brain.

YVONNE is storing her buffer in a storage cupboard.

As she emerges—

Yvonne

It can happen.

Look at Churchill during the war.

Everyone knew what had to be done,

but to get us there?

That took a certain sort of man,

someone who could imagine the journey

and in that imagining make it happen.

Which he did. But after war comes peace,

a very different proposition.

And harder too, perhaps,

to win your victories not on the field of battle

but in the day-to-day lives of your people.

HYWEL joins her.

Hywel

But that can be done too, can’t it?

And that’s the tale, if you’ll listen, we’ll tell.

The story of how, in the wake...