: Gilbert Adair
: And Then There Was No One
: Faber& Faber
: 9780571319787
: 1
: CHF 7.90
:
: Krimis, Thriller, Spionage
: English
: 272
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
The writer and professional controversialist Gustav Slavorigin is murdered in the small Swiss town of Meiringen during its annual Sherlock Holmes Festival, his body discovered with an arrow through the heart. With a price of ten million dollars on Slavorigin's head, almost none of the Festival's guests can be regarded as above suspicion. Except Evadne Mount, of course, the stubborn amateur sleuth and bestselling crime novelist from Gilbert Adair's The Act of Roger Murgatroyd and A Mysterious Affair of Style. Neither of those two cases, however, prepared her for the jaw-dropping twists of this new investigation, which climaxes at Meiringen's principal tourist attraction, the Reichenbach Falls - the site of Holmes's fatal confrontation with his nemesis, Moriarty . . .

Gilbert Adair has published novels, essays, translations, children's books and poetry. He has also written screenplays, including The Dreamers from his own novel for Bernardo Bertolucci.

It was while commuting homeward on the 11.03 from Moreton-in-Marsh to London Paddington one foggy Monday forenoon in early September that I received on my mobile phone the call that was to change everything. Since the previous December I had been renting a pretty weekend cottage in the Gloucestershire village of Blockley. The cottage, Waterside by name, sat sandwiched between my landlady’s grand house and a lively though apparently unlived-in little stream that could be depended on, in anything approaching a downpour, to overflow its timid banks. I would journey down to Moreton on Friday afternoons – on, by what was for me a delightful windfall of a coincidence, the 4.50 from Paddington (yes, really) – then make the same trip in reverse three days later. My train, in both directions, was invariably late, but seldom long enough to put me to serious inconvenience.*

So there I was, snugly settled in a first-class compartment, reading, with a view to writing an eventual review for theSpectator, a fat, virtuosically executed novel by one of that new breed of Americanwunderkinder who, I would be lying if I denied it, are positively bloated with talent but who are also just too fucking pleased with themselves – its title,The Theory of Colonic Irrigation, should tell you all you need to know about the sort of thing it was. Since I was already aware that this was a book destined to be jettisoned as soon as my review had been delivered, I was in the process of pencilling some cramped, crabbed notes in the margins of its own pages when, at the Oxford stop, a single, rather extraordinary passenger boarded my nearly empty compartment. He stood for a minute in the doorway as though searching for a friendly or just a familiar face, then for a reason known only to himself sat down in the seat directly opposite mine.

As long as we tarried in Oxford, I felt an obscure compulsion to keep both my eyes trained on the text in front of me and even forebore, for the duration, from dabbing at my smarting nose – I was on the mend from a protracted head cold – with the third of four paper napkins which I had filched for that purpose from the buffet-bar where I had earlier bought a cup of muddy coffee. (The first two snot-saturated napkins were stuffed away in the clammy depths of my jacket pocket.) At long last the train started to glide out of the station, a plummy Indian voice on the loudspeaker alerted the latest intake of passengers to the sandwiches, pastries and light refreshments available to them, and even if I don’t recall having had the sensation, one I am especially prone to, of being spied upon by some unseen observer, I could no longer resist peeking at my fellow-traveller over the top of the novel, as thick and doughy as a wholemeal loaf, that I held in my hands.

Iwas being spied upon. The man who had sat down opposite me had, I noted uneasily, a livid complexion, a shock of white hair, an unalluring black patch over his left eye which lent him the corny charisma of the Demon King in a provincial pantomime and an unpatched right eye which was staring straight a