: Sally Rooney
: Conversations with Friends 'Brilliant, funny and startling.' GUARDIAN
: Faber& Faber
: 9780571333141
: 1
: CHF 8.60
:
: Erzählende Literatur
: English
: 272
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
** Sally Rooney's new novel Intermezzo is available in paperback now ** 'A nuanced, page-turning portrait.' Zadie Smith 'Brilliant.' Marian Keyes 'A sharp, darkly funny comment on modern relationships.' Sunday Telegraph The critically-acclaimed debut novel from the globally bestselling author of Normal People and Beautiful World, Where Are You. A SUNDAY TIMES TOP 25 NOVEL OF THE TWENTY-FIRST CENTURY Frances is twenty-one years old, cool-headed and observant. At night she performs spoken word with her best friend Bobbi, who used to be her girlfriend. When they are befriended by Melissa, a well-known journalist who is married to Nick, an actor, they enter a world of beautiful houses, raucous dinner parties and holidays in Provence, beginning a complex ménage-à-quatre. But when Frances and Nick get unexpectedly closer, Frances is forced to honestly confront her own vulnerabilities for the first time. Readers love Conversations with Friends: ????? 'Completely engulfs you. I missed it when I finished reading.' ????? 'Sucked me in and didn't let me go until the very end.' ????? 'Portrays love and obsession and friendship and anxiety in such accurate detail, I feel like I've lived it.' ????? 'Rooney's writing is completely addictive.' ????? 'I wish I could read it for the first time all over again.'

Sally Rooney is the author of the novels Conversations with Friends,Normal People and Beautiful World, Where Are You. She was the winner of the Sunday Times/PFD Young Writer of the Year Award in 2017. Normal People ('the literary phenomenon of the decade', Guardian) was the Waterstones Book of the Year 2019, won the Costa Novel of the Year 2018 and the Royal Society of Literature's Encore Award 2019. Sally Rooney co-wrote the television adaptation of Normal People which was broadcast on the BBC in 2020.

Bobbi and I first met Melissa at a poetry night in town, where we were performing together. Melissa took our photograph outside, with Bobbi smoking and me self-consciously holding my left wrist in my right hand, as if I was afraid the wrist was going to get away from me. Melissa used a big professional camera and kept lots of different lenses in a special camera pouch. She chatted and smoked while taking the pictures. She talked about our performance and we talked about her work, which we’d come across on the internet. Around midnight the bar closed. It was starting to rain then, and Melissa told us we were welcome to come back to her house for a drink.

We all got into the back of a taxi together and started fixing up our seat belts. Bobbi sat in the middle, with her head turned to speak to Melissa, so I could see the back of her neck and her little spoon-like ear. Melissa gave the driver an address in Monkstown and I turned to look out the window. A voice came on the radio to say the words: eighties … pop … classics. Then a jingle played. I felt excited, ready for the challenge of visiting a stranger’s home, already preparing compliments and certain facial expressions to make myself seem charming.

The house was a semi-detached red-brick, with a sycamore tree outside. Under the streetlight the leaves looked orange and artificial. I was a big fan of seeing the insides of other people’s houses, especially people who were slightly famous like Melissa. Right away I decided to remember everything about her home, so I could describe it to our other friends later and Bobbi could agree.

When Melissa let us in, a little red spaniel came racing up the hall and started barking at us. The hallway was warm and the lights were on. Next to the door was a low table where someone had left a stack of change, a hairbrush and an open tube of lipstick. There was a Modigliani print hanging over the staircase, a nude woman reclining. I thought: this is a whole house. A family could live here.

We have guests, Melissa called down the corridor.

No one appeared so we followed her into the kitchen. I remember seeing a dark wooden bowl filled with ripe fruit, and noticing the glass conservatory. Rich people, I thought. I was always thinking about rich people then. The dog had followed us to the kitchen and was snuffling around at our feet, but Melissa didn’t mention the dog so neither did we.

Wine? Melissa said. White or red?

She poured huge, bowl-sized glasses and we all sat around a low table. Melissa asked us how we’d started out performing spoken word poetry together. We had both just finished our third year of university at the time, but we’d been performing together since we were in school. Exams were over by then. It was late May.

Melissa had her camera on the table and occasionally lifted it to take a photog