: May Muzaffar
: Story of Water and Fire Story of Water and Fire
: Hatje Cantz Verlag
: 9783775755740
: Hatje Cantz Text
: 1
: CHF 25.30
:
: Kunst
: English
: 288
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Story of Water and Fire is a captivating account of the joint life of two prominent figures in the Iraqi art scene, poet and art critic May Muzaffar and artist Rafa Nasiri. This book offers a glimpse into the social and artistic milieu of Baghdad from the 1960s to the 1990s, as well as the couple's travels during this period and their years of exile in Amman and Manama. Through vivid descriptions and rarely seen photographs, May Muzaffar provides insights into their position in the Arab and international art scenes. The book serves as a guide to the archival material that al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi has digitized and made available for researchers, creating an expanded space for exploration and understanding of the remarkable work of this generation. MAY MUZAFFAR (*1940, Baghdad) is a poet, short story writer, art critic, and translator. Having graduated in English literature from Baghdad University in 1961, she has published seven collections of poetry and five collections of short stories in Baghdad, Beirut, and Amman. She authored books on art and artists, and has also edited several books on Rafa Nasiri's art. She is the sponsor of Rafa Nasiri's art heritage and organizes an annual award for graphic arts in his name, since 2014.

The On-and-Off Stage

I don’t know how to describe this period that lasted about two years. It was filled with the sweet and the bitter, with hope and a sense of threat, with connection and separation. Rafa was neither an ideal I aspired to, nor the person I dreamed of, but the light that he sparked within me melted away all other images and conceptions, stripping me of any desire to withdraw. Rafa kept making me feel like our relationship was temporary, always remaining uncertain and hesitant. He clung only to his freedom and was preoccupied only with fleeing to the far reaches of the earth that allowed him to create art as he aspired. Something prevented him from living in harmony with Baghdad and its restrictions. And, despite this, I found myself utterly swept away with love for him.

After that special first evening we spent together alone, he told me he’d be away from Baghdad for a few days on a short trip. Yet, he surprised me the next day by opening the door to my office and standing before me, his eyes drifting to the open space beyond the window. I was delighted by his unexpected appearance. Without my asking, he explained, “I cut my trip short because I forgot some papers.”

Then he added, “And I also returned for another reason,” and fell silent. I didn’t ask him what it was. Silence ensued, and then he hesitantly asked if I could visit his studio to see his latest work. His request was quite a surprise, if I don’t say odd, for I knew his studio was in his family home. “One day,” I replied, “why not?”

Many days passed before I heard from him again and he asked to meet. When we did, I found myself facing a different person. He was provocative, tumultuous, and aggressive. I felt as though I were being tested, that there was something contrived about his behavior. I kept calm and ridiculed his trifling talk.

We continued to meet, both in groups and alone. Baghdad’s many cultural events also brought us together, and we spent much time conversing on the phone. Whenever he’d draw close to me, he’d then distance himself, and his behavior perplexed me. His calls would start off cold and indifferent, which I’d ignore and go on talking, and then he’d take off in lively enthusiasm. I never understood his hearty laughter, and as for his contradictory statements, they could raise to me to a peak and then crash me to the deepest depths. We had long conversations in which I purposely focused on his work and projects, what each of us were reading, and what we were doing. As we listened to each other, we happily discovered the points where our taste converged on the smaller details of life. I grew certain of his uniqueness among everyone I’d ever known.

I wanted to hear more from him and discover who he was, and the telephone was the best way to pull him into speaking. Through our conversations I learned that he