Richard III literally carved his way to the throne of England. It would hardly be an exaggeration to say that he waded to it through blood. Amongst those who suffered for his unscrupulous ambition were George Duke of Clarence, his own elder brother, Edward Prince of Wales, who on the death of Edward IV was the natural successor to the English throne, and the brother of the latter, Richard Duke of York. The two last mentioned were the princes murdered in the Tower by their malignant uncle. These three murders placed Richard Duke of Gloucester on the throne, but at a cost of blood as well as of lesser considerations which it is hard to estimate. Richard III left behind him a legacy of evil consequences which was far-reaching. Henry VII, who succeeded him, had naturally no easy task in steering through the many family complications resulting from the long-continued “Wars of the Roses”; but Richard’s villany had created a new series of complications on a more ignoble, if less criminal, base. When Ambition, which deals in murder on a wholesale scale, is striving its best to reap the results aimed at, it is at least annoying to have the road to success littered with the débris of lesser and seemingly unnecessary crimes. Fraud is socially a lesser evil than murder; and after all—humanly speaking—much more easily got rid of. Thrones and even dynasties were in the melting pot between the reigns of Edward III and Henry VII; so there were quite sufficient doubts and perplexities to satisfy the energies of any aspirant to royal honours—however militant he might be. Henry VII’s time was so far unpropitious that he was the natural butt of all the shafts of unscrupulous adventure. The first of these came in the person of Lambert Simnel, the son of a baker, who in 1486 set himself up as Edward Plantagenet, Earl of Warwick—then a prisoner in the Tower—son of the murdered Duke of Clarence. It was manifestly a Yorkist plot, as he was supported by Margaret Duchess Dowager of