: Louisa May Alcott
: Jo's Boys
: Books on Demand
: 9782322434794
: 1
: CHF 2.50
:
: Erzählende Literatur
: English
: 376
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Beginning ten years after Little Men, Jo's Boys revisits Plumfield, the New England school still presided over by Jo and her husband, Professor Bhaer. Jo remains at the center of the tale, surrounded by her boys - including rebellious Dan, sailor Emil, and promising musician Nat - as they experience shipwreck and storm, disappointment and even murder.

Louisa May Alcott was born in Germantown, Pennsylvania on November 29, 1832. She and her three sisters, Anna, Elizabeth and May were educated by their father, philosopher/ teacher, Bronson Alcott and raised on the practical Christianity of their mother, Abigail May. Louisa spent her childhood in Boston and in Concord, Massachusetts, where her days were enlightened by visits to Ralph Waldo Emerson's library, excursions into nature with Henry David Thoreau and theatricals in the barn at Hillside (now Hawthorne's"Wayside quot;). Like her character, Jo March in Little Women, young Louisa was a tomboy:"No boy could be my friend till I had beaten him in a race," she claimed," and no girl if she refused to climb trees, leap fences...." For Louisa, writing was an early passion. She had a rich imagination and often her stories became melodramas that she and her sisters would act out for friends. Louisa preferred to play the"lurid" parts in these plays,"the villains, ghosts, bandits, and disdainful queens." At age 15, troubled by the poverty that plagued her family, she vowed:"I will do something by and by. Don't care what, teach, sew, act, write, anything to help the family; and I'll be rich and famous and happy before I die, see if I won't!" Confronting a society that offered little opportunity to women seeking employment, Louisa determined"...I will make a battering-ram of my head and make my way through this rough and tumble world." Whether as a teacher, seamstress, governess, or household servant, for many years Louisa did any work she could find. Louisa's career as an author began with poetry and short stories that appeared in popular magazines. In 1854, when she was 22, her first book Flower Fables was published. A milestone along her literary path was Hospital Sketches (1863) based on the letters she had written home from her post as a nurse in Washington, DC as a nurse during the Civil War. When Louisa was 35 years old, her publisher Thomas Niles in Boston asked her to write"a book for girls." Little Women was written at Orchard House from May to July 1868. The novel is based on Louisa and her sisters' coming of age and is set in Civil War New England. Jo March was the first American juvenile heroine to act from her own individuality; a living, breathing person rather than the idealized stereotype then prevalent in children's fiction. In all, Louisa published over 30 books and collections of stories. She died on March 6, 1888, only two days after

Chapter 2. PARNASSUS


It was well named; and the Muses seemed to be at home that day, for as the newcomers went up the slope appropriate sights and sounds greeted them. Passing an open window, they looked in upon a library presided over by Clio, Calliope, and Urania; Melpomene and Thalia were disporting themselves in the hall, where some young people were dancing and rehearsing a play; Erato was walking in the garden with her lover, and in the music-room Phoebus himself was drilling a tuneful choir.

A mature Apollo was our old friend Laurie, but comely and genial as ever; for time had ripened the freakish boy into a noble man. Care and sorrow, as well as ease and happiness, had done much for him; and the responsibility of carrying out his grandfather's wishes had been a duty most faithfully performed. Prosperity suits some people, and they blossom best in a glow of sunshine; others need the shade, and are the sweeter for a touch of frost. Laurie was one of the former sort, and Amy was another; so life had been a kind of poem to them since they married—not only harmonious and happy, but earnest, useful, and rich in the beautiful benevolence which can do so much when wealth and wisdom go hand in hand with charity. Their house was full of unostentatious beauty and comfort, and here the art-loving host and hostess attracted and entertained artists of all kinds. Laurie had music enough now, and was a generous patron to the class he most liked to help. Amy had her proteges among ambitious young painters and sculptors, and found her own art double dear as her daughter grew old enough to share its labours and delights with her; for she was one of those who prove that women can be faithful wives and mothers without sacrificing the special gift bestowed upon them for their own development and the good of others.

Her sisters knew where to find her, and Jo went at once to the studio, where mother and daughter worked together. Bess was busy with the bust of a little child, while her mother added the last touches to a fine head of her husband. Time seemed to have stood still with Amy, for happiness had kept her young and prosperity given her the culture she needed. A stately, graceful woman, who showed how elegant simplicity could be made by the taste with which she chose her dress and the grace with which she wore it. As someone said: 'I never know what Mrs Laurence has on, but I always receive the impression that she is the best-dressed lady in the room.'

It was evident that she adored her daughter, and well she might; for the beauty she had longed for seemed, to her fond eyes at least, to be impersonated in this younger self. Bess inherited her mother's Diana-like figure, blue eyes, fair skin, and golden hair, tied up in the same classic knot of curls. Also—ah! never-ending source of joy to Amy—she had her father's handsome nose and mouth, cast in a feminine mould. The severe simplicity of a long linen pinafore suited her; and she worked away with the entire absorption of the true artist, unconscious of the loving eyes upon her, till Aunt Jo came in exclaiming eagerly:

'My dear girls, stop your mud-pies and hear the news!'

Both artists dropped their tools and greeted the irrepressible woman cordially, though genius had been burning splendidly and her coming spoilt a precious hour. They were in the full tide of gossip when Laurie, who had been summoned by Meg, arrived, and sitting down between the sisters, with no barricade anywhere, listened with interest to the news of Franz and Emil.

'The epidemic has broke out, and now it will rage and ravage your flock. Be prepared for every sort of romance and rashness for the next ten years, Jo. Your boys are growing up and will plunge headlong into a sea of worse scrapes than any you have had yet,' said Laurie, enjoying her look of mingled delight and despair.

'I know it, and I hope I shall be able to pull them through and land them safely; but it's an awful responsibility, for they will come to me and insist that I can make their poor little loves run smoothly. I like it, though, and Meg is such a mush of sentiment she revels in the prospect,' answered Jo, feeling pretty easy about her own boys, whose youth made them safe for the present.

'I'm afraid she won't revel when our Nat begins to buzz too near her Daisy. Of course you see what all that means? As musical director I am also his confidante, and would like to know what advice to give,' said Laurie soberly. 'Hush! you forget that child,' began Jo, nodding towards Bess, who was at work again.

'Bless you! she's in Athens, and doesn't hear a word. She ought to leave off, though, and go out. My darling, put the baby to sleep, and go for a run. Aunt Meg is in the parlour; go and show her the new pictures till we come,' added Laurie, looking at his tall girl as Pygmalion might have looked at Galatea; for he considered her the finest statue in the house.

'Yes, papa; but please tell me if it is good'; and Bess obediently put down her tools, with a lingering glance at the bust.

'My cherished daughter, truth compels me to confess that one cheek is plumper than the other; and th