: Mai Mochizuki
: Holmes of Kyoto: Volume 3
: J-Novel Club
: 9781718376526
: 1
: CHF 3.10
:
: Krimis, Thriller, Spionage
: English
: 328
: DRM
: PC/MAC/eReader/Tablet
: ePUB

It's November and winter is just around the corner. Aoi Mashiro continues to work at the antique store Kura in Kyoto's Teramachi-Sanjo shopping district, alongside the owner's grandson, Kiyotaka Yagashira. Nicknamed 'Holmes,' he's a young Kyoto man with a bit of a wicked streak.
One day they're visited by a famous kabuki actor named Kisuke Ichikata. Minamiza Theatre's annual grand show is coming up in December and Kisuke has received a threatening letter. The next day, Kiyotaka and Aoi go to watch him on stage, where he suffers a serious injury. Unrequited love, illicit affairs, hidden feelings-the mysteries continue through Christmas and New Year's in Volume 3 of Holmes of Kyoto!

Prologue: Creeping Feelings


Kyoto’s Teramachi-Sanjo district consists of several shopping streets. You might think that the long arcade is one big shopping district, but it actually differs on a street-by-street basis. Starting from Oike Street is the Teramachi Specialist Shops street, and if you keep going down Teramachi Street, it turns into the Sanjo Famous Stores street. Next to that are the Teramachi Kyogoku and Shinkyogoku shopping streets. Farther down is the Nishiki Market, which is known nationwide as “Kyoto’s kitchen.” It sounds complicated when I describe it like this, and even many Kyoto residents don’t have a good grasp on it, let alone tourists. But, the people who come here don’t necessarily need to know which street is which. You can stroll through the shopping streets in whichever order comes naturally. The various stores are packed tightly side by side, and you even come across small shrines and temples.

The antique store Kura is nestled within this complicated, maze-like shopping district. Its modest signage fails to catch the eye of many passersby, but if you notice it, you’ll find that it emits a mysterious charm. Inside, it’s a blend of Japanese and Western aesthetics, with a chandelier, antique sofa, bookshelves, and a lacquered chest of drawers against the wall next to the counter. It feels like a retro-modern cafe. A large grandfather clock goestick-tock, and faint jazz music plays in the background as if matching its rhythm. Various antiques and goods are displayed on the shelves. It always feels like time is stopped in here.

I—Aoi Mashiro, a part-time worker here—was dusting the merchandise as usual while glancing towards the counter, where an attractive youn