: Carolyn Wells
: Delphi Collected Works of Carolyn Wells US (Illustrated)
: Delphi Classics
: 9781788779852
: 1
: CHF 2.50
:
: Krimis, Thriller, Spionage
: English
: 8790
: DRM
: PC/MAC/eReader/Tablet
: ePUB

Famous today as the creator of the reserved and scholarly detective Fleming Stone, Carolyn Wells was a prolific American writer of popular mystery novels, celebrated for their intricate plots and engaging characters. The first novel in the series, 'The Clue' (1909), features on the Haycraft-Queen Cornerstone list of essential mysteries. Throughout her career, Wells produced over 170 titles, including children's stories, detective novels, anthologies and humorous and nonsense writings. This eBook presents Wells' collected works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1)


* Beautifully illustrated with images relating to Wells' life and works
* Concise introductions to the major texts
* 64 novels, with individual contents tables
* Features rare novels appearing for the first time in digital publishing
* Images of how the books were first published, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* The complete Patty Fairfield and Marjorie Maynard series
* Famous children's books are illustrated with their original artwork
* Includes Wells' rare poetry collections - available in no other collection
* Features Wells' seminal non-fiction work 'The Technique of the Mystery Story'
* Useful ordering of texts into chronological order and genres


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CONTENTS:


The Fleming Stone Series
The Clue (1909)
The Gold Bag (1911)
A Chain of Evidence (1912)
The Maxwell Mystery (1913)
Anybody But Anne (1914)
The White Alley (1915)
The Curved Blades (1915)
The Mark of Cain (1917)
Vicky Van (1918)
The Diamond Pin (1919)
Raspberry Jam (1920)
The Mystery of the Sycamore (1921)
The Mystery Girl (1922)
Feathers Left Around (1923)
Spooky Hollow (1923)


The Alan Ford Series
The Bride of a Moment (1916)
Faulkner's Folly (1917)


The Pennington Wise Series
The Room with the Tassels (1918)
The Man Who Fell Through the Earth (1919)
In the Onyx Lobby (1920)
The Come Back (1921)
The Luminous Face (1921)
The Vanishing of Betty Varian (1922)
The Affair at Flower Acres (1923)
Wheels within Wheels (1923)


The Patty Fairfield Series
All 17 Patty Fairfield novels (too many to list)


The Marjorie Maynard Series
All of the Marjorie novels


The Dorrance Family Series
The Dorrance Domain (1905)
Dorrance Doings (1906)


The Two Little Women Series
Two Little Women (1915)
Two Little Women and Treasure House (1916)
Two Little Women on a Holiday (1917)


Other Novels
Abeniki Caldwell (1902)
Eight Girls and a Dog (1902)
The Gordon Elopement (1904)
The Staying Guest (1904)
The Matrimonial Bureau (1905)
The Emily Emmins Papers (1907)
Dick and Dolly (1909)
Betty's Happy Year (1910)
Ptomaine Street (1921)
Face Cards (1925)
The Deep-Lake Mystery (1928)


Short Stories
Christabel's Crystal (1905)
An Easy Errand (1910)
The Adventure of the Mona Lisa (1912)
The Adventure of the Clothes-Line (1915)


The Poetry and Nonsense Works
The Jingle Book (1899)
A Phenomenal Fauna (1902)
Children of Our Town (1902)
A Parody Anthology (1904)
A Satire Anthology (1905)
Rubáiyát of a Motor Car (1906)
At the Sign of the Sphinx (1906)
At the Sign of the Sphinx: Second Series (1906)
A Vers de Société Anthology (1907)
The Seven Ages of Childhood (1908)
Rubáiyát of Bridge (1909)
A Nonsense Anthology (1910)
The Lover's Baedeker and Guide to Arcady (1912)
The Re-Echo Club (1913)
The Eternal Feminine (1913)
The Book of Humorous Verse (1920)


The Non-Fiction
The Technique of the Mystery Story (1913)


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I. THE VAN NORMANS


THEOLDVAN Norman mansion was the finest house in Mapleton. Well back from the road, it sat proudly among its finely kept lawns and gardens, as if with a dignified sense of its own importance, and its white, Colonial columns gleamed through the trees, like sentinels guarding the entrance to the stately hall.

All Mapleton was proud of the picturesque old place, and it was shown to visiting strangers with the same pride that the native villagers pointed out the Memorial Library and the new church.

More than a half-century old, the patrician white house seemed to glance coldly on the upstart cottages, whose inadequate pillars supported beetling second stories, and whose spacious, filigreed verandas left wofully small area for rooms inside the house.

The Van Norman mansion was not like that. It was a long rectangle, and each of its four stories was a series of commodious, well-shaped apartments.

And its owner, the beautiful Madeleine Van Norman, was the most envied as well as the most admired young woman in the town.

Magnificent Madeleine, as she was sometimes called, was of the haughty, imperious type which inspires admiration and respect rather than love. An orphan and an heiress, she had lived all of her twenty-two years of life in the old house, and since the death of her uncle, two years before, had continued as mistress of the place, ably assisted by a pleasant, motherly chaperon, a clever social secretary, and a corps of capable servants.

The mansion itself and an income amply sufficient to maintain it were already legally her own, but by the terms of her uncle’s will she was soon to come into possession of the bulk of the great fortune he had left.

Madeleine was the only living descendant of old Richard Van Norman, save for one distant cousin, a young man of a scapegrace and ne’er-do-weel sort, who of late years had lived abroad.

This young man’s early life had been spent in Mapleton, but, his fiery temper having brought about a serious quarrel with his uncle, he had wisely concluded to take himself out of the way.

And yet Tom Willard was not of a quarrelsome disposition. His bad temper was of the impulsive sort, roused suddenly, and as quickly suppressed. Nor was it often in evidence. Good-natured, easy-going Tom would put up with his uncle’s criticism and fault-finding for weeks at a time, and then, perhaps goaded beyond endurance, he would fly into a rage and express himself in fluent if rather vigorous English.

For Richard Van Norman had been by no means an easy man to live with. And it was Tom’s general amiability that had made him the usual scapegoat for his uncle’s ill temper. Miss Madeleine would have none of it. Quite as dictatorial as the old man himself she allowed no interference with her own plans and no criticism of her own actions.

This had proved the right way to manage Mr. Van Norman, and he had always acceded to Madeleine’s requests or submitted to her decrees without objection, though there had never been any demonstration of affection between the two.

But demonstration was quite foreign to the nature of both uncle and niece, and in truth they were really fond of each other in their quiet, reserved way. Tom Willard was different. His affection was of the honest and outspoken sort, and he made friends easily, though he often lost them with equal rapidity.

On account, then, of his devotion to Madeleine, and his enmity toward young Tom Willard, Richard Van Norman had willed the old place to his niece, and had further directed that the whole of his large fortune should be unrestrictedly bestowed upon her on her wedding-day, or on her twenty-third birthday, should she reach that age unmarried. In event of her death before her marriage, and also before her twenty-third birthday, the whole estate would go to Tom Willard.

It was with the greatest reluctance that Richard Van Norman decreed this, but a provision had to be made in case of Madeleine’s early death, and Willard was the only other natural heir. And now, at twenty-two, Madeleine was on the eve of marriage to Schuyler Carleton, a member of one of the oldest and best families of Mapleton.

The village gossips were pleased to commend this union, as Mr. Carleton was a man of irreproachable habits, and handsome enough to appear well beside the magnificent Madeleine.

He was not a rich man, but, as her marriage would bring her inheritance, they could rank among the millionaires of the day. Yet there were those who feared for the future happiness of this apparently ideal couple.

Mrs. Markham, who was both housekeeper and chaperon to her young charge, mourned in secret over the attitude of the betrothed pair.

“He adores her, I’m sure,” she said to herself, “but he is too courtly and polished in his manner. I’d rather he would impulsively caress her, or involuntarily call her by some endearing name than to be always so exquisitely deferential and polite. And Madeleine must love him, or why should she marry him? Yet she is so haughty and formal, she might be a very duchess instead of a young American girl. But that’s Madeleine all over. I’ve never seen her exhibit any real emotion over anything. Ah, well, I’m an old-fashioned fool. Doubtless, they’re cooing doves when alone together, but their high-bred notions won’t allow any sentiment shown before other people. But I almost wish she were going to marry Tom. He has sentiment and enthusiasm enough for two, and the relationship is so distant it’s not worth thinking about. Dear old Tom! He’s the only one who ever stirs Madeleine out of that dignified calm of hers.”

And that was true enough. Madeleine had inherited the Van Norman traits of dignity and reserve to such an extent that it was difficult for any one to be a really close friend.

She had, too, a strange little air of preoccupation, and even when interested in a conversation would appear to look through or beyond her companion in a way that was discouraging to the average caller.

So Miss Van Norman was by no means a favorite with the Mapleton young people in a personal sense, but socially she was their leader, and to be on her invit