: D. H. Lawrence
: Aaron's Rod
: OTB eBook publishing
: 9783962728809
: 1
: CHF 1.80
:
: Erzählende Literatur
: English
: 265
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB
Written in the years following World War I and set in postwar England and Italy, Aaron's Rod questions many of the accepted social and political institutions of Lawrence's generation, and raises issues as valid for our own time as they were for his. The novel's hero is an Everyman who flees the destruction in England and his failing marriage and who, like Lawrence himself, becomes absorbed in discovering and understanding the nature of the political and religious ideologies that shaped western civilization. Aaron's Rod was completed in 1921 and was censored by both Lawrence's American and English publishers. (Goodreads)

CHAPTER I.


THE BLUE BALL


There was a large, brilliant evening star in the early twilight, and underfoot the earth was half frozen. It was Christmas Eve. Also the War was over, and there was a sense of relief that was almost a new menace. A man felt the violence of the nightmare released now into the general air. Also there had been another wrangle among the men on the pit-bank that evening.

Aaron Sisson was the last man on the little black railway-line climbing the hill home from work. He was late because he had attended a meeting of the men on the bank. He was secretary to the Miners Union for his colliery, and had heard a good deal of silly wrangling that left him nettled.

He strode over a stile, crossed two fields, strode another stile, and was in the long road of colliers' dwellings. Just across was his own house: he had built it himself. He went through the little gate, up past the side of the house to the back. There he hung a moment, glancing down the dark, wintry garden.

“My father—my father's come!” cried a child's excited voice, and two little girls in white pinafores ran out in front of his legs.

“Father, shall you set the Christmas Tree?” they cried. “We've got one!”

“Afore I have my dinner?” he answered amiably.

“Set it now. Set it now.—We got it through Fred Alton.”

“Where is it?”

The little girls were dragging a rough, dark object out of a corner of the passage into the light of the kitchen door.

“It's a beauty!” exclaimed Millicent.

“Yes, it is,” said Marjory.

“I should think so,” he replied, striding over the dark bough. He went to the back kitchen to take off his coat.

“Set it now, Father. Set it now,” clamoured the girls.

“You might as well. You've left your dinner so long, you might as well do it now before you have it,” came a woman's plangent voice, out of the brilliant light of the middle room.

Aaron Sisson had taken off his coat and waistcoat and his cap. He stood bare-headed in his sh