CHAPTER II.

THE HOUSEHOLD OF MARCHMAIN CONSISTED of four persons. The brother and sister we have already seen, their father, and one female servant. In this little interval of twilight, while Susan puts on her clean collar for dinner, and which Horace, who would rather disarrange than improve his dress, out of pure ill-humour and disrespect, spends in the dark, staring into the fire with his head between his hands, we will explain to our readers the economy of this singular household. At this hour all is dark in the solitary house. Without, the chill invisible rain, the great unbroken blackness of the moor and the night—within, an unlighted hall and staircase, with a red glow of firelight at the end of a long passage, betraying the kitchen, and a faint thread of light coming out beneath a door opposite the dining-room. Thrift, severe and rigid, reigns in this dwelling. In Mr. Scarsdale’s own room a single candle burns, when it is no longer possible to read without one; but there are no lights in the family sitting-room till the dinner is placed on the table, and Peggy has nothing but firelight in the kitchen, and Susan puts on her collar by intuition upstairs. Everything is under inexorable rule and law. The family have breakfast between nine and ten, sometimes even later; for Mr. Scarsdale is not a man to modify his own habits for any consideration of suitability. From that time till six o’clock, when there is dinner, the young people see nothing of their father. He sits with them in the evening, imposing silence by his presence; and that, so far as family intercourse goes, is the chronicle of their life.

Let us enter at this door, which marks itself off from the floor of the hall by that slender line of light. It has the same prospect as the dining-room, when there is any daylight to see it; but it is smaller than that gloomy apartment; two large bookcases, shut in by a brass network, stand out with sharp and angular corners from the walls, no attempt having been made to fill up the vacant space at either side of them, or to harmonize these gaunt pieces of furniture with anything else in the room. There are two or three chairs, which stand fixed and immovable in corners, plainly testifying that nobody ever sits