: Phil Smith
: Counter-Tourism: The Handbook A handbook for those who want more from heritage sites than a tea shoppe and an old thing in a glass case
: Triarchy Press
: 9781909470033
: 1
: CHF 8.20
:
: Bildende Kunst
: English
: 228
: DRM
: PC/MAC/eReader/Tablet
: ePUB

This is the definitive guide to Counter-Tourism, except that Counter-Tourism has a low opinion of definitive guides. So it's more like an equivocal misguide. It includes dozens of detailed Counter-Tourism 'tactics' plus the thinking behind Counter-Tourism, its academic and philosophical background, and its roots in film, music and literature.
It also features more than 200 colour photographs, gathered by the author in the course of his counter-tourist driftings.
In addition, Part 2 of the Handbook /strong> has ideas on how to extend the tactics into interventions that can be planned and performed in heritage sites. And Part 3 goes on to suggest open 'infiltrations' that can be used by heritage site managers themselves to reinvent their own sites. Alongside this there's a photo-essay on using the tactics, and a full bibliography.

Lies of the Land

Counter-tourism and its tactics originate from the principles of mythogeography – a way of understanding the world and acting in it that privileges space and place above all else. So, it’s not surprising that counter-tourism is similarly biased. When in doubt, it looks to the place to provide the answers. Before this Handbookmoves on to the second and third stages of counter-tourism –interventions andopen infiltrations – here are a few ruminations on the productive roles of place and space in counter-tourism.

Bed

Close to the centre of Plymouth, a dried-up, fake, miniature canal runs between palms, stone lions and ruined chessboards – part of the excess of post-war regeneration – like an abandoned archaeological excavation of a civilisation that never existed. If you are willing to find your way around a few walls, you’ll find unreal places everywhere – the road to nowhere at the plague village of Eyam in Derbyshire; Tyneham: “the village that died for England”; Chicago: a fake Palestinian town in the Negev Desert used by the Israeli army; Willoughby: a railroad stop in the First Series ofThe Twilight Zone.

On the square

Look out for the symbols of Freemasonry (block, plumbline, set square, compasses, twin pillars, chequerboard). In English towns they are a blessed relief from the commercial banalities of cloned High Streets. Rejoice in their everyday esotericism (mostly ignored and, when noticed, suspected).

Big Flame

There is a conspiracy-narrative concerning events during the Second World War that occurred on a stretch of deserted pebble beach called Shingle Street on the east coast of England. The story wobbles between a secret, large-scale German invasion, a small incursive German force and some sort of local Allied exercise; whichever it is, the denouement of the tale is always the wholesale incineration of those involved by ignited gas pumped into the sea in hidden pipes, consuming everything in a bubbling ocean of flame.

A few miles away, at the Woodbridge RAF base, an immense runway was constructed during the war for the use of aircraft in difficulty, damaged in raids over continental Europe, returning under the less-than-full control of their crews. In the event of mist or fog adding to a pilot’s difficulties, FIDO (Fog Investigation and Dispersal Operation) was triggered and, to burn off the miasma, sheets of flame from the vapours of petrol pumped at a rate of 100,000 gallons per hour were thrown up around the runway.

While both stories are intriguing, which is the most _____________ (insert your o