: Giovanni Boccaccio, Sheba Blake
: Decameron
: Sheba Blake Publishing
: 9783961892822
: 1
: CHF 2,60
:
: Hauptwerk vor 1945
: English
: 496
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB
Decameron is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio. The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence to escape the Black Death, which was afflicting the city. Boccaccio probably conceived the Decameron after the epidemic of 1348, and completed it by 1353. The various tales of love in The Decameron range from the erotic to the tragic. Tales of wit, practical jokes, and life lessons contribute to the mosaic. In addition to its literary value and widespread influence (for example on Chaucer's The Canterbury Tales), it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of classical early Italian prose. In Italy during the time of the Black Death, a group of seven young women and three young men flee from plague-ridden Florence to a deserted villa in the countryside of Fiesole for two weeks. To pass the evenings, every member of the party tells a story each night, except for one day per week for chores, and the holy days in which they do no work at all, resulting in ten nights of storytelling over the course of two weeks. Thus, by the end of the fortnight they have told 100 stories.

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THE FIRST STORY


 

 

[Day the First]

MASTER CIAPPELLETTO DUPETH A HOLY FRIAR WITH A FALSE CONFESSION AND DIETH; AND HAVING BEEN IN HIS LIFETIME THE WORST OF MEN, HE IS, AFTER HIS DEATH, REPUTED A SAINT AND CALLED SAINT CIAPPELLETTO.

"It is a seemly thing, dearest ladies, that whatsoever a man doth, he give it beginning from the holy and admirable name of Him who is the maker of all things. Wherefore, it behoving me, as the first, to give commencement to our story-telling, I purpose to begin with one of His marvels, to the end that, this being heard, our hope in Him, as in a thing immutable, may be confirmed and His name be ever praised of us. It is manifest that, like as things temporal are all transitory and mortal, even so both within and without are they full of annoy and anguish and travail and subject to infinite perils, against which it is indubitable that we, who live enmingled therein and who are indeed part and parcel thereof, might avail neither to endure nor to defend ourselves, except God's especial grace lent us strength and foresight; which latter, it is not to be believed, descendeth unto us and upon us by any merit of our own, but of the proper motion of His own benignity and the efficacy of the prayers of those who were mortals even as we are and having diligently ensued His commandments, what while they were on life, are now with Him become eternal and blessed and unto whom we,--belike not daring to address ourselves unto the proper presence of so august a judge,--proffer our petitions of the things which we deem needful unto ourselves, as unto advocates[29] informed by experience of our frailty. And this more we discern in Him, full as He is of compassionate liberality towards us, that, whereas it chanceth whiles (the keenness of mortal eyes availing not in any wise to penetrate the secrets of the Divine intent), that we peradventure, beguiled by report, make such an one our advocate unto His majesty, who is outcast from His presence with an eternal banishment,--nevertheless He, from whom nothing is hidden, having regard rather to the purity of the suppliant's intent than to his ignorance or to the reprobate estate of him whose intercession be invoketh, giveth ear unto those who pray unto the latter, as if he were in very deed blessed in His aspect. The which will manifestly appear from the story which I purpose to relate; I say manifestly, ensuing, not the judgment of God, but that of men.

[Footnote 29: Or procurators.]

It is told, then, that Musciatto Franzesi,[30] being from a very rich and considerable merchant in France become a knight and it behoving him thereupon go into Tuscany with Messire Charles Sansterre,[31] brother to the king of France,[32] who had been required and bidden thither by Pope Boniface,[33] found his affairs in one part and another sore embroiled, (as those of merchants most times are,) and was unable lightly or promptly to disentangle them; wherefore he bethought himself to commit them unto divers persons and made shift for all, save only he abode in doubt whom he might leave sufficient to the recovery of the credits he had given to certain Burgundians. The cause of his doubt was that he knew the Burgundians to be litigious, quarrelsome fellows, ill-conditioned and disloyal, and could not call one to mind, in whom he might put any trust, curst enough to cope with their perversity. After long consideration of the matter, there came to his memory a certain Master Ciapperello da Prato, who came often to his house in Paris and whom, for that he was little of person and mighty nice in his dress, the French, knowing not what Cepparello[34] meant and thinking it be the same with Cappello, to wit, in their vernacular, Chaplet, called him, not Cappello, but Ciappelletto,[35] and accordingly as Ciappelletto he was known everywhere, whilst few knew him for Master Ciapperello.

[Footnote 30: A Florentine merchant settled in France; he had great influence over Philippe le Bel and made use of the royal favour to enrich himself by means of monopolies granted at the expense of his compatriots.]

[Footnote 31: Charles, Comte de Valois et d'Alençon.]

[Footnote 32: Philippe le Bel, A.D. 1268-1314.]

[Footnote 33: The Eighth.]

[Footnote 34: Sic. Cepparello means a log or stump. Ciapperello is apparently a dialectic variant of the same word.]

[Footnote 35: Diminutive of Cappello. This passage is obscure and most likely corrupt. Boccaccio probably meant to write"hat" instead of"chaplet" (ghirlanda), as the meaning of cappello, chaplet (diminutive of Old English chapel, a hat,) being the meaning of ciappelletto (properly cappelletto).]

Now this said Ciappelletto was of this manner life, that, being a scrivener, he thought very great shame whenas any of his instrument was found (and indeed he drew few such) other than false; whilst of the latter[36] he would have drawn as many as might be required of him and these with a better will by way of gift than any other for a great wage. False witness he bore with especial delight, required or not required, and the greatest regard being in those times paid to oaths in France, as he recked nothing of forswearing himself, he knavishly gained all the suits concerning which he was called upon to tell the truth upon his faith. He took inordinate pleasure and was mighty diligent in stirring up troubles and enmities and scandals between friends and kinsfolk and whomsoever else, and the greater the mischiefs he sa