| Front Cover | 1 |
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| The Psychology of Imagination | 2 |
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| History, Theory, and New Research Horizons | 2 |
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| A Volume in Niels Bohr Professorship Lectures in Cultural Psychology | 2 |
| Series Editors: | 2 |
| Brady Wagoner, Aalborg University Nandita Chaudhary, University of Delhi Pernille Hviid, University of Copenhagen | 2 |
| CONTENTS | 6 |
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| PART I: NIELS BOHR LECTURE | 6 |
| 1. From Fantasy to Imagination: A Cultural History and Moral for Psychology | 6 |
| PART II: CONCEPTUAL AND HISTORICAL ANALYSES | 6 |
| 2. Use Your Imagination: The History of a Higher Mental Function | 6 |
| 3. Reviving the Logic of Aesthetics: Poetry and Music in Cultural Psychology | 6 |
| 4. Kant and Goethe? The Connection Between Sensuality and Concepts | 6 |
| 5. The Sinnlichkeit of Panoramic Experience | 6 |
| PART III: THEORETICAL APPROACHES AND DEVELOPMENTS | 7 |
| 6. Ruins and Memorials: Imagining the Past Through Material Forms | 7 |
| 7. Fantasy and Imagination: From Psychoanalysis to Cultural Psychology | 7 |
| 8. Hope as Fantasy: An Existential Phenomenology of Hoping in Light of Parental Illness | 7 |
| 9. From Fantasy and Imagination to Creativity: Toward a “Psychology With Soul” and “Psychology With Others” | 7 |
| PART IV: THE SCIENTIFIC IMAGINATION IN PSYCHOLOGY | 7 |
| 10. The Dynamics of “Necessity” Shaping Our Imaginative Lives: A Preconceptual Account of Discriminative Word Usage | 7 |
| 11. Amerindian Psychology: The Cultural Basis for General Knowledge Construction | 7 |
| 12. Gaps in Human Knowledge: Highlighting the Whole Beyond Our Conceptual Reach | 7 |
| 13. Nature Leaves No Gaps: From Scientifically Dissected Phenomena Back to the Whole | 7 |
| PART V: NEW RESEARCH HORIZONS | 7 |
| 14. “We Are Not Free, Admit It … But We Cling Onto Tomorrow”: Imagination as a Tool for Coping in Disempowering Situations | 7 |
| 15. Feeling Myself With Nature: Reflections on Picking Flowers in Japan and Denmark | 8 |
| 16. Russian Revival of the St. George Myth and Its Imagery: A Study Based on Reconstructive Picture Interpretation and Psychoanalysis | 8 |
| PART VI: CONCLUDING RESPONSE | 8 |
| 17. Conclusion: The Reenchantment of Psychology | 8 |
| Niels Bohr Professorship Lectures in Cultural Psychology | 3 |
| The Psychology of Imagination | 4 |
| History, Theory, and New Research Horizons | 4 |
| Edited by | 4 |
| Brady Wagoner, Ignacio Brescó de Luna, and Sarah H. Awad Aalborg University | 4 |
| Information Age Publishing, Inc. | 4 |
| Introduction | 10 |
| Brady Wagoner, Ignacio Brescó, and Sarah H. Awad | 10 |
| References | 13 |
| Table 1.1. Yellow-Blue Polarity and Their Corresponding Sensorial-Moral Effects | 24 |
| Figure 1.1. Goethe’s color wheel, with associated symbolic qualities, after his own drawing (1809). | 26 |
| Part I | 14 |
| NIELS BOHR LECTURE | 14 |
| CHAPTER 1 | 16 |
| From Fantasy to Imagination | 16 |
| Carlos Cornejo | 16 |
| Goethe’s Science | 18 |
| Goethe’s Theory of Colors | 23 |
| Fantasy in Goethe | 26 |
| Mystical-Theological Background | 30 |
| Fantasy in Vico’s Thought | 36 |
| Fantasy in Kant | 39 |
| Fantasy at the Dawn of the New Psychology | 42 |
| Scientific Psychology and an Irony of History | 45 |
| Conclusion | 49 |
| Acknowledgments | 53 |
| NOTES | 53 |
| References | 55 |
| PART II | 58 |
| Conceptual and historical analyses | 58 |
| CHAPTER 2 | 60 |
| Use Your Imagination | 60 |
| Luca Tateo | 60 |
| What Do We Mean By Imagination? | 60 |
| History of Imagination: The Origins | 62 |
| The Renewed Interest in Imagination Since the Renaissance | 66 |
| Elementism Versus Segmentationism | 72 |
| Imagination and Rationality | 73 |
| Metonymic Constitution of Reality | 74 |
| Imagination and Intersubjectivity | 75 |
| Conclusion: A Possible Definition of Imagination | 76 |
| NOTE | 77 |
| References | 78 |
| CHAPTER 3 | 80 |
| Reviving the Logic of Aesthetics | 80 |
| Sven Hroar Klempe and Olga V. Lehmann-Oliveros | 80 |
| Bottom-Up and Top-Down Perspectives on Aesthetics: Reconciling Sensation and Cognition | 81 |
| Schematism and Top-Down Approaches to Aesthetics | 82 |
| The Ambivalence of Sensation and Bottom-Up Perspectives on Aesthetics | 83 |
| A Path Toward Existence: Being and Becoming Through Aesthetics | 86 |
| Poetry and Science | 88 |
| The “Aestheticological” Dimension of Human Being | 89 |
| Conclusion | 91 |
| NOTE | 92 |
| References | 92 |
| CHAPTER 4 | 96 |
| Kant and Goethe | 96 |
| Bo A. Christensen and Steen Brock | 96 |
| Goethe and Kant, According to Cornejo | 97 |
| Another Kant I | 102 |
| Another Kant II | 104 |
| Harré and Models | 108 |
| Conclusion | 112 |
| NOTES | 112 |
| References | 113 |
| CHAPTER 5 | 116 |
| The Sinnlichkeit of Panoramic Experience | 116 |
| Jaan Valsiner | 116 |
| The Panoramic Nature of Human Experience | 117 |
| Panoramas: The Whole of a View | 119 |
| Theory of Pleromatization and Schematization | 120 |
| Romantic Roots of Psychology | 121 |
| From Gestalt Principles to Ganzheit Negotiations
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