: Walter Scott
: The Monastery
: anboco
: 9783736407817
: 1
: CHF 0,90
:
: Erzählende Literatur
: English
: 500
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
It would be difficult to assign any good reason why the author of Ivanhoe, after using, in that work, all the art he possessed to remove the personages, action, and manners of the tale, to a distance from his own country, should choose for the scene of his next attempt the celebrated ruins of Melrose, in the immediate neighbourhood of his own residence. But the reason, or caprice, which dictated his change of system, has entirely escaped his recollection, nor is it worth while to attempt recalling what must be a matter of very little consequence. The general plan of the story was, to conjoin two characters in that bustling and contentious age, who, thrown into situations which gave them different views on the subject of the Reformation, should, with the same sincerity and purity of intention, dedicate themselves, the one to the support of the sinking fabric of the Catholic Church, the other to the establishment of the Reformed doctrines. It was supposed that some interesting subjects for narrative might be derived from opposing two such enthusiasts to each other in the path of life, and contrasting the real worth of both with their passions and prejudices. The localities of Melrose suited well the scenery of the proposed story; the ruins themselves form a splendid theatre for any tragic incident which might be brought forward; joined to the vicinity of the fine river, with all its tributary streams, flowing through a country which has been the scene of so much fierce fighting, and is rich with so many recollections of former times, and lying almost under the immediate eye of the author, by whom they were to be used in composition.

INTRODUCTORY EPISTLE


FROM CAPTAIN CLUTTERBUCK, LATE OF HIS MAJESTY'S —— REGIMENT OF INFANTRY, TO THE AUTHOR OF WAVERLEY.

Sir,

Although I do not pretend to the pleasure of your personal acquaintance, like many whom I believe to be equally strangers to you, I am nevertheless interested in your publications, and desire their continuance;-not that I pretend to much taste in fictitious composition, or that I am apt to be interested in your grave scenes, or amused by those which are meant to be lively. I will not disguise from you, that I have yawned over the last interview of MacIvor and his sister, and fell fairly asleep while the schoolmaster was reading the humours of Dandie Dinmont. You see, sir, that I scorn to solicit your favour in a way to which you are no stranger. If the papers I enclose you are worth nothing, I will not endeavour to recommend them by personal flattery, as a bad cook pours rancid butter upon stale fish. No, sir! what I respect in you is the light you have occasionally thrown on national antiquities, a study which I have commenced rather late in life, but to which I am attached with the devotions of a first love, because it is the only study I ever cared a farthing for.

You shall have my history, sir, (it will not reach to three volumes,) before that of my manuscript; and as you usually throw out a few lines of verse (by way of skirmishers, I suppose) at the head of each division of prose, I have had the luck to light upon a stanza in the schoolmaster's copy of Burns which describes me exactly. I love it the better, because it was ly designed for Captain Grose, an excellent antiquary, though, like yourself, somewhat too apt to treat with levity his own pursuits:

'Tis said he was a soldier bred,
  And ane wad rather fa'en than fled;
  But now he's quit the spurtle blade,
                   And dog-skin wallet,
  And ta'en the—antiquarian trade,
                I think, they call it.

I never could conceive what influenced me, when a boy, in the choice of a profession. Military zeal and ardour it was not, which made me stand out for a commission in the Scots Fusiliers, when my tutors and curators wished to bind me apprentice to old David Stiles, Clerk to his Majesty's Signet. I say, military zeal it wasnot; for I was no fighting boy in my own person, and cared not a penny to read the history of the heroes who turned the world upside down in former ages. As for courage, I had, as I have since discovered, just as much of it as serve'd my turn, and not one frain of surplus. I soon found out, indeed, that in action there was more anger in running away than in standing fast; and besides, I could not afford to lose my commission, which was my chief means of support. But, as for that overboiling valour, which I have heard many ofours talk of, though I seldom observed that it influenced them in the actual affair—-that exuberant zeal, which courts Danger as a bride,—truly my courage was of a complexion much less ecstatical.

Again, the love of a red coat, which, in default of all other aptitudes to the profession, has made many a bad soldier and some good ones, was an utter stranger to my disposition. I cared not a"bodle" for the company of the misses: Nay, though there was a boarding-school in the village, and though we used to meet with its fair inmates at Simon Lightfoot's weekly Practising, I cannot recollect any strong emotions being excited on these occasions, excepting the infinite regret with which I went through the polite ceremonial of presenting my partner with an orange, thrust into my pocket by my aunt for this special purpose, but which, had