: George Bernard Shaw
: Delphi Works of George Bernard Shaw (Illustrated)
: Delphi Classics
: 9781910630327
: 1
: CHF 1.70
:
: Erzählende Literatur
: English
: 3945
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB


* Beautifully illustrated with images relating to Shaw's life and works
* Concise introductions to the novels, plays and other texts
* 44 plays, with individual contents tables
* Includes rare dramas, available in no other collection
* 4 novels, with individual contents tables
* Images of how the books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Includes almost the complete non-fiction, including Shaw's seminal work on Ibsen
* Special criticism study on Shaw by G. K. Chesterton, evaluating Shaw's contribution to literature
* Scholarly ordering of texts into chronological order and literary genres
* UPDATED with two plays that recently entered the US public domain



Please note: due to US copyright restrictions, 26 later plays, the novel IMMATURITY and Shaw's short story collection cannot appear in this edition. When new texts become available in your public domain, they will be added to the eBook as a free update.


CONTENTS:


The Novels
The Irrational Knot
Love Among the Artists
Cashel Byron's Profession
An Unsocial Socialist


The Plays
Passion Play
Un Petit Drame
The Cassone
Widowers' Houses
The Philanderer
Mrs. Warren's Profession
Arms and the Man
Candida
The Man of Destiny
You Never Can Tell
The Devil's Disciple
The Gadfly
Caesar and Cleopatra
Captain Brassbound's Conversion
The Admirable Bashville, or Constancy Unrewarded
Man and Superman
John Bull's Other Island
How He Lied to Her Husband
Major Barbara
Passion, Poison, and Petrifaction
The Doctor's Dilemma
The Interlude at the Playhouse
Getting Married
The Shewing-Up of Blanco Posnet
Press Cuttings
Fascinating Foundling: Disgrace to the Author
The Glimpse of Reality
Suggested Act III Ending for Barker's 'The Madras House'
Misalliance
The Dark Lady of the Sonnets
Fanny's First Play
Androcles and the Lion
Overruled: A Demonstration
Beauty's Duty
Pygmalion
Great Catherine
The Music Cure
O'flaherty, V. C.
The Inca of Perusalem
Augustus Does His Bit
Glastonbury Skit
Macbeth Skit
Skit for the Tiptaft Revue
Annajanska, the Bolshevik Empress
Heartbreak House
Back to Methuselah: A Metabiological Pentateuch
The War Indemnities
Jitta's Atonement
Saint Joan


The Non-Fiction
The Perfect Wagnerite
Quintessence of Ibsenism
The Impossibilities of Anarchism
The Revolutionist's Handbook and Pocket Companion
Maxims for Revolutionists


The Criticism
George Bernard Shaw by G. K. Chesterton


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CHAPTER I


ATSEVENOCLOCK on a fine evening in April the gas had just been lighted in a room on the first floor of a house in York Road, Lambeth. A man, recently washed and brushed, stood on the hearthrug before a pier glass, arranging a white necktie, part of his evening dress. He was about thirty, well grown, and fully developed muscularly. There was no cloud of vice or trouble upon him: he was concentrated and calm, making no tentative movements of any sort (even a white tie did not puzzle him into fumbling), but acting with a certainty of aim and consequent economy of force, dreadful to the irresolute. His face was brown, but his auburn hair classed him as a fair man.

The apartment, a drawing-room with two windows, was dusty and untidy. The paint and wall paper had not been renewed for years; nor did the pianette, which stood near the fireplace, seem to have been closed during that time; for the interior was dusty, and the inner end of every key begrimed. On a table between the windows were some tea things, with a heap of milliner’s materials, and a brass candlestick which had been pushed back to make room for a partially unfolded cloth. There was a second table near the door, crowded with coils, batteries, a galvanometer, and other electrical apparatus. The mantelpiece was littered with dusty letters, and two trays of Doulton ware which ornamented it were filled with accounts, scraps of twine, buttons, and rusty keys.

A shifting, rustling sound, as of somebody dressing, which had been audible for some minutes through the folding doors, now ceased, and a handsome young woman entered. She had thick black hair, fine dark eyes, an oval face, a clear olive complexion, and an elastic figure. She was incompletely attired in a petticoat that did not hide her ankles, and stays of bright red silk with white laces and seams. Quite unconcerned at the presence of the man, she poured out a cup of tea; carried it to the mantelpiece; and began to arrange her hair before the glass. He, without looking round, completed the arrangement of his tie, looked at it earnestly for a moment, and said, “Have you got a pin about you?”

“There is one in the pincushion on my table,” she said; “but I think it’s a black one. I dont know where the deuce all the pins go to.” Then, casting off the subject, she whistled a long and florid cadenza, and added, by way of instrumental interlude, a remarkably close imitation of a violoncello. Meanwhile the man went into her room for the pin. On his return she suddenly became curious, and said, “Where are you going to-night, if one may ask?”

“I am going out.”

She looked at him for a moment, and turned contemptuously to the mirror, saying, “Thank you. Sorry to be inquisitive.”

“I am going to sing for the Countess of Carbury at a concert at
Wandsworth.”

“Sing! You! The Countess of Barbury! Does she live at Wandsworth?”

“No. She lives in Park Lane.”

“Oh! I beg her pardon.” The man made no comment on this; and she, after looking doubtfully at him to assure herself that he was in earnest, continued, “How does the Countess of Whatshername come to knowyou, pray?”

“Why not?”

A long pause ensued. Then she said: “Stuff!”, but without conviction. Her exclamation had no apparent effect on him until he had buttoned his waistcoat and arranged his watch-chain. Then he glanced at a sheet of pink paper which lay on the mantelpiece. She snatched it at once; opened it; stared incredulously at it; and said, “Pink paper, and scalloped edges! How filthily vulgar! I thought she was not much of a Countess! Ahem! ‘Music for the People. Parnassus Society. A concert will be given at the Town Hall, Wandsworth, on Tuesday, the 25th April, by the Countess of Carbury, assisted by the following ladies and gentlemen. Miss Elinor McQuinch’ — what a name! ‘Miss Marian Lind’ — who’s Miss Marian Lind?”

“How should I know?”

“I only thought, as she is a pal of the Countess, that you would most likely be intimate with her. ‘Mrs. Leith Fairfax.’ There is a Mrs. Leith Fairfax who writes novels, and very rotten novels they are, too. Who are the gentlemen? ‘Mr. Marmaduke Lind’ — brother to Miss Marian, I suppose. ‘Mr. Edward Conolly’ — save the mark! they must have been rather hard up for gentlemen when they putyou down as one. The Conolly family is looking