: James M. Cain
: A Bad Woman
: Chalk Line Books
: 9781942531050
: 1
: CHF 8.50
:
: Krimis, Thriller, Spionage
: English
: 145
: DRM
: PC/MAC/eReader/Tablet
: ePUB
A Bad Woman (originally titled Sinful Woman) is James M. Cain's little gem of a hard-boiled novel, set in the post-War 1940s of Reno, Nevada. Film star Sylvia Shoreham is wowing the dusty gambling town and is hell-bent on divorcing her conniving user of a husband, a foreigner with a slick tongue and a heavy accent. But the husband has other ideas, threatening to marry Miss Shoreham's neurotic sister if she divorces him. Hollywood bigwigs want to keep the movie star making the pictures that make them millions. And then there's a gun in the room and a dead husband. Did Sylvia do it? Or was it an elaborate suicide? Everyone has a beef and a motive and an angle and it's largely up to Sheriff Parker Lucas, the laconic lawman who keeps order in his town, to unspool the tangled web. Told in James M. Cain's typically taut and terse prose with deadpan dialogue and bruising plot twists, it's a novel by the noir master that is often over-looked in favor of the better known The Postman Rings Twice and Double Indemnity, but offers its own tantalizing tale. This book, like all Chalk Line Books titles, contains 10 illustrations, these by Martha Kelly. A Bad Woman is another fine addition to Chalk Line Books' growing roster of great vintage crime fiction.

Chapter One

THE REVOLVING DOOR REVOLVED, and into the bright mountain morning stepped a girl in slacks, a red ribbon around her hair. She was an uncommonly pretty girl, with blond curls showing that glint of gold which cannot be obtained with chemicals, and a skin with high, dappled flush. Yet her good looks went beyond prettiness, and often touched beauty. For the actual moulding of her face was plain, with a wistful, haunting sadness that reflected the soul of every homely girl in the world; but she had a curious trick of seeing far horizons, of smiling at invisible stars that gave her a rapt, exalted expression. In contrast with this, her figure was wholly sinful. It may have been part of the reason, indeed, for the spirituality of her face, for its breathtaking voluptuousness could not be concealed under any sort of clothing, and condemned her, no matter where she went or how, to the role of nude descending perpetual public staircases; thus she moved as though withdrawn into herself, with an abstracted, Godivanian saunter that was aware of nothing nearer than the sky.

She set off at this gait now, but at once noticed the little knot of children across the street, who had stopped playing and begun staring at her the moment she left the hotel. Smiling at them, she crossed over, shook hands, asked names, and distributed chewing gum from her handbag. Then she recrossed the street and resumed her way.

She had gone only a few steps, however, when she heard her name called, and turned to behold a spectacle as unusual in its way as she was in hers. Estimating conservatively, one would have said there was six feet, two-and-a-half inches of man approaching, mounted on two-and-a-half inches of bootheel, and mounting one foot of hat, making a ro