: Bram Stoker
: Delphi Classics
: Delphi Complete Works of Bram Stoker
: Delphi Classics
: 9781908909350
: 1
: CHF 2.40
:
: Erzählende Literatur
: English
: 3491
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB

Br m Stoker is a leading figure of gothic literature, having not only written 'Dracula', but also other groundbreaking horror stories, featuring Egyptian Mummies, grisly monsters and haunting encounters. This enormous eBook offers readers the unique opportunity of exploring the prolific writer's work in a manner never before possible. This is the complete FICTIONAL works of Bram Stoker, with many bonus texts for gothic lovers to explore. (Current Version: 2)
* illustrated with many images relating to Stoker's life and works
* annotated with concise introductions to the novels and other works
* ALL 12 novels - even Stoker's rare novels like THE PRIMROSE PATH and THE MYSTERY OF THE SEA - first time in digital print
* BOTH versions of the Mummy novel THE JEWEL OF SEVEN STARS - compare the original grisly ending to the revised happy ending!
* each novel has its own contents table
* images of how the novels first appeared, giving your eReader a taste of the Victorian texts
* ALL the short story collections, with rare uncollected tales
* separate chronological and alphabetical contents tables for the short stories - find that special story easily!
* EVEN includes Stoker's rare biography of Sir Henry Irving - explore their interesting lives and unique relationship
* boasts a special VAMPIRE SOURCES section, with five works examining Stoker's influences in writing DRACULA
* SPECIAL BONUS texts including the first ever vampire story in English -THE VAMPYRE by Henry Colburn
* also includes the mammoth Penny Dreadful novel that caused a sensation in Victorian times - VARNEY THE VAMPIRE BY JAMES MALCOLM RYMER
* EVEN includes CARMILLA BY JOSEPH SHERIDAN LE FANU - the haunting female vampire novel that influenced Stoker's work
* scholarly ordering of texts into chronological order and literary genres, allowing easy navigation around Stoker's immense oeuvre
Please visit www.delphiclassics.com to browse through our range of exciting titles
The Novels
THE PRIMROSE PATH
THE SNAKE'S PASS
THE WATTER'S MOU'
THE SHOULDER OF SHASTA
DRACULA
MISS BETTY
THE MYSTERY OF THE SEA
THE JEWEL OF SEVEN STARS (1903 VERSION)
THE JEWEL OF SEVEN STARS (1912 VERSION)
THE MAN
LADY ATHLYNE
THE LADY OF THE SHROUD
THE LAIR OF THE WHITE WORM
The Short Story Collections
UNDER THE SUNSET
SNOW BOUND: THE RECORD OF A THEATRICAL TOURING PARTY
DRACULA'S GUEST AND OTHER WEIRD STORIES
UNCOLLECTED SHORT STORIES
The Short Stories
LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER
LIST OF SHORT STORIES IN ALPHABETICAL ORDER
The Vampire Sources
DER VAMPIR BY HEINRICH OSSENFELDER
THE GIAOUR BY LORD BYRON
THE VAMPYRE BY HENRY COLBURN
VARNEY THE VAMPIRE BY JAMES MALCOLM RYMER
CARMILLA BY JOSEPH SHERIDAN LE FANU
The Biography
PERSONAL REMINISCENCES OF HENRY IRVING
Please visit www.delphiclassics.com to browse through our range of exciting titles

CHAPTER 2


TO AND FRO

WHENALLWAS made comfortable for the after sitting, the conversation grew lively. The position of persons at table tends to further cliquism, and to narrow conversation to a number of dialogues, and so the change was appreciated.

The most didactic person of the company was Mr Parnell, who was also the greatest philosopher; and the idea of general conversation seemed to have struck him. He began to comment on the change in the style of conversation.

‘Look what a community of feeling does for us. Half an hour ago, when we were doing justice to Mrs O’Sullivan’s good things, all our ideas were scattered. There was, perhaps, enough of pleasant news amongst us to make some of us happy, and others of us rich, if we knew how to apply our information; but still no one got full benefit, or the opportunity of full benefit, from it.’

Here Price whispered something in Jane’s ear, which made her blush and laugh, and tell him to ‘go along.’

Parnell smiled and said gently -

‘Well, perhaps, Tom, some of the thoughts wouldn’t interest the whole of us.’

Tom grinned bashfully, and Parnell reverted to his theme. He was a great man at meetings, and liked to talk, for he knew that he talked well.

‘Have any of you ever looked how some rivers end?’

‘What end?’ asked Mr Muldoon, and winked at Miss M’Anaspie.

‘The sea end. Look at the history of a river. It begins by a lot of little streams meeting together, and is but small at first. Then it grows wider and deeper, till big ships mayhap can sail in it, and then it goes down to the sea.’

‘Poor thing,’ said Mr Muldoon, again winking at Margaret.

‘Ay, but how does it reach the sea? It should go, we would fancy, by a broad open mouth that would send the ships out boldly on every side and gather them in from every point. But some do not do so - the water is drawn off through a hundred little channels, where the mud lies in shoals and the sedges grow, and where no craft can pass. The river of thought should be an open river — be its craft few or many — if it is to benefit mankind.’

Miss M’Anaspie who had, whilst he was speaking, been whispering to Mr Muldoon, said, with a pertness bordering on snappishness:

‘Then, I suppose, you would never let a person talk except in company. For my part, I think two is better company than a lot.’

‘Not at all, my dear. The river of thought can flow between two as well as amongst fifty; all I say is that all should benefit.’

Here Mr Muldoon struck in. He had all along felt it as a slight to himself that Parnell should have taken the conversational ball into his own hands. He was himself extremely dogmatic, and no more understood the difference between didacticism and dogmatism than he comprehended the meaning of that baphometic fire-baptism which set the critics of Mr Carlyle’s younger days a-thinking.

‘For my part,’ said he, ‘I consider it an impertinence for any man to think that what he says must be interesting to every one in a room.’

This was felt by all to be a home thrust at Parnell, and no one spoke. Parnell would have answered, not in anger, but in good-humoured argument, only for an imploring look on Katey’s face, which seemed to say as plainly as words -

‘Do