| Abstract | 3 |
---|
| Keywords | 3 |
---|
| Table of Contents | 5 |
---|
| List of Abbreviations | 7 |
---|
| List of Tables | 7 |
---|
| List of Pictures | 7 |
---|
| Acknowledgements | 7 |
---|
| 1 Introduction | 9 |
---|
| 1.1 Background and Aim of the Research | 9 |
| 1.2 Composition | 11 |
| 2 Theoretical Background and Implementation at Stage Entertainment Germany | 11 |
---|
| 2.1 The Company | 11 |
| 2.2 Musical Scene in Germany and Especially in Hamburg | 12 |
| 2.3 Employee-Led Training Systems | 13 |
| 2.3.1 Fundamental Benefits | 13 |
| 2.3.2 Prerequisites | 14 |
| 2.3.3 The Training Process | 15 |
| 2.4 Personnel Development at Stage Entertainment Germany | 16 |
| 2.4.1 Situation from 2003 until 2008 | 16 |
| 2.4.2 Development of the Staff Academy and Stage Insight in Times of the Global Financial Crisis | 17 |
| 2.5 Introduction of the ELT System at Stage Entertainment Germany | 19 |
| 2.6 In-house Trainers | 19 |
| 2.7 Seminar Organization | 21 |
| 2.7.1 Process Description and Chain of Permission | 21 |
| 2.7.2 Feedback | 22 |
| 2.8 The Seminar Program | 24 |
| 2.8.1 Location and Accessibility | 24 |
| 2.8.2 Language and Structure | 25 |
| 2.8.3 Content | 25 |
| 2.9 Summary | 26 |
| 3 Empirical Analysis of Stage Insight | 26 |
---|
| 3.1 Insights and Establishment of the Need for Research | 26 |
| 3.2 Research Questions | 27 |
| 3.3 Methodology | 27 |
| 3.3.1 Qualitative Research | 27 |
| 3.4 Data Collection and Interviews | 28 |
| 3.4.1 Interview Compendium | 28 |
| 3.4.2 Pretests of the Interviews | 29 |
| 3.4.3 Arrangement of the Interviews | 29 |
| 3.4.4 Description of the Interview Participants | 30 |
| 3.4.5 Recording and Transcription of the Interviews | 31 |
| 3.5 Research Ethics | 31 |
| 3.6 Context Analysis | 32 |
| 3.7 Obstacles during the Research | 32 |
| 3.8 Summary | 33 |
| 4 Interview Results and Answers to Research Questions | 33 |
---|
| 4.1 What Effects does the ELT System have on Stage Entertainment Germany, the Employees, and the Trainers? | 33 |
| 4.1.1 Benefits for Stage Entertainment | 33 |
| 4.1.2 Benefits for Trainers | 34 |
| 4.1.3 Benefits for Participants | 34 |
| 4.1.4 Disadvantages | 35 |
| 4.2 Are Any Improvements Necessary? | 35 |
| 4.3 Other Findings | 36 |
| 4.3.1 Are Other Seminars Necessary? | 36 |
| 4.3.2 Workload | 36 |
| 4.3.3 Miscellaneous | 37 |
| 4.4 Summary | 37 |
| 5 Analysis and Discussion | 37 |
---|
| 5.1 Benefits, Perks and Drawbacks of Stage Insight | 37 |
| 5.2 Practical Implications for Stage Entertainment Germany | 39 |
| 5.2.1 Fundamentals | 39 |
| 5.2.2 Marketing | 40 |
| 5.2.3 Train-the-trainer Seminar and Feedback | 41 |
| 5.2.4 Seminar Development | 41 |
| 5.2.5 Administration | 42 |
| 5.2.6 Compensation of the Trainer | 42 |
| 5.3 Practical Implications for Further Research | 43 |
| 5.4 New Round in New Business Year 2009/2010 at Stage Entertainment | 43 |
| 5.5 Summary | 45 |
| 6 Conclusion | 45 |
---|
| 7 References | 48 |
---|
| Autorenproil | 76 |